Sarah Greenwood, production designer & Katie Spence, set decorator have been close collaborators for 25 years. Together they imagined the worlds of critically acclaimed films like Anna Karenina, Atonement and Pride & Prejudice. The duo were recently tapped by Greta Gerwig to bring Barbie Land to life in the record-beating, hottest film of the year, Barbie. The results of their work are truly dazzling.
Join us for a dynamic conversation as the creative duo discuss the collaboration required to pull off a director’s vision and the difference between set design for modern utopias and period pieces, offering us a glimpse of the behind-the-scenes magic.
This talk will be moderated by director and journalist, Chandler Levack (I Like Movies, 2022).
Presented by
Media Partner
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Guests
Sarah Greenwood
Production Designer
Born in England, Sarah began her career designing for the stage. Moving to the screen she went on to work at the BBC, becoming a Senior Designer and establishing the successful series Later with Jools Holland and The Late Show. Here she won a Royal Television Society Award and received a BAFTA TV Award nomination for her production design work on the drama series The Tenant of Wildfell Hall.
Sarah Greenwood is a six-time Academy Award nominated production designer, earning her most recent acknowledgement for her work on Joe Wright’s Darkest Hour and Bill Condon’s Beauty and the Beast. Sarah received her previous Oscar nominations for her work with Joe Wright on his acclaimed films Pride and Prejudice and Atonement, for which she won a BAFTA, and Anna Karenina, for which she also won the Art Directors’ Guild Award, The European Film Award, The Evening Standard Award and the Hollywood Production Designer of the Year Award.
Sarah has recently finished working on Barbie with Greta Gerwig and Back to Black with Sam Taylor Johnson. She has worked closely for many years with Katie Spencer, her longtime collaborator and set decorator.
Katie Spencer
Set Decorator
Born in Yorkshire, England Katie studied at Stage Management at Central School of Speech and Drama in London. After several years working in the West End and theatres including the Royal Court, Almeida, and Donmar Warehouse, Katie moved as a freelancer to the BBC, retraining first as a production buyer then as a set decorator on television and film.
At the BBC she met and first worked with production designer Sarah Greenwood, a close collaboration and that has continued for over 20 years. Their work together has ranged from period pieces like Pride and Prejudice and Atonement to the action movies of Sherlock Holmes and Hanna, innovative pieces like Anna Karenina, the musicals Beauty and the Beast and Cyrano, through to their latest collaboration, Barbie.
Katie is a six-time Academy Award nominee and has been nominated for seven BAFTA awards, winning for Atonement. Katie is on the Executive Committee for Production Design at the Academy of Motion Pictures. In May 2024 the Academy Museum of Motion Pictures will host an exhibition showcasing the collaboration between Sarah and Katie.
Missing VIFF? Check out what's playing at the VIFF Centre
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
In the Palm of Your Hand
Charming, (over-)confident clairvoyant Professor Karin hits the jackpot when he hears about a beautiful widow whose millionaire husband has just died. But you don't need to be psychic to see that blackmailing a killer may not be his best idea...
The Night Falls
An arrogant, womanizing sports star eventually gets his comeuppance in this jet-black crime drama from director Roberto Gavaldón.
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
The Art of Adventure
The unbelievable adventure story of how painter Robert Bateman and ecologist Bristol Foster drove a Land Rover from Africa to Australia in 1957, developing a love of nature to last a lifetime. An inspirational love letter to the adventure of life itself.

