
Martin McDonagh is the poet laureate of profanity and invective, as fans of In Bruges and Three Billboards Outside Ebbing, Missouri can swear to. He will take a simple difference of opinion and transform it into deadpan comic aria of pigheadedness and mounting consternation. And in Colin Farrell and Brendan Gleeson he has a perfect double act: the dim hunk—Pádraic—and the old curmudgeon, Colm, best buddies almost by default. But then one day, out of the blue, Colm announces he’s had it up to here with his best friend, and cuts him off once and for all. One more word, he dares him, he’ll take a pair of garden shears and start chopping off the fingers on his own hand. The way he says it, you know he’d do it, and before long the whole village is consumed in the breakup.
Set on one of the Aran Islands on the west coast of Ireland in the 1920s, The Banshees of Inisherin may be a quieter, more contemplative film than McDonagh’s shown us before (County Galway has never looked more ravishing), but it’s uproariously funny all the same, guaranteed to bring the house down.
Best Actor (Colin Farrell) & Best Screenplay, Venice 2022
Martin McDonagh
Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan
Ireland/UK/USA
2022
English
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
Shall We Dance?
Masayuki Suô's delightful and charming 1996 film was a box office smash and won 14 Japanese Academy Awards including Best Film. It's the story of a married salaryman who falls in love with... dance.
Drop Dead City
New York, 1975. The city is minutes away from bankruptcy and President Gerald Ford wants no part of it. Sanitation workers are on strike and cops are telling tourists it's not safe to visit. The town is going up in flames and they can't pay the firemen.
Inedia
Liz Cairns makes a mesmerizing feature debut that sees a young woman suffering from mysterious food allergies join a remote island community practicing alternative healing methods. She soon realizes that not everything is as it seems.
The Fugitive Kind
Sidney Lumet's movie brings together two of the greatest actors of the period, Brando and Anna Magnani, reason enough to check out this underrated poetical drama about a handsome musician who washes up in a small southern town.
Credits
Executive Producer
Diarmuid McKeown, Ben Knight, Daniel Battsek, Ollie Madden
Producer
Graham Broadbent, Pete Czernin, Martin McDonagh
Screenwriter
Martin McDonagh
Cinematography
Ben Davis
Editor
Mikkel E.G. Nielsen
Production Design
Mark Tildesley
Original Music
Carter Burwell