Canadian Premiere
Behind on her rent and facing eviction, forty-something Hanieh (Hanieh Tavassoli) has everything riding on a semi-autobiographical screenplay that she’s just sold to a friend (Pegah Ahangarani) who’s rushing it into production. However, rehearsals prove dispiriting at best. While she considers every scene sacrosanct, the cast declare the character modelled after Hanieh a “bastard.” Finding little sympathy amongst her colleagues (who include an ornery, scene-stealing rooster), Hanieh seeks counsel from her father’s ghost and kinship with the audience, as she occasionally breaks the fourth wall.
In depicting Hanieh’s dizzying, tragicomic descent into a living nightmare, Faeze Azizkhani infuses her film with anarchic energy, rapid-fire dialogue, palpable anxiety, and biting humour that recalls 90s-era indie-filmmaking-gone-awry fare like In the Soup and Living in Oblivion. That said, there are culturally specific stakes here as Azizkhani illustrates just how stacked the odds are against a female filmmaker striving for artistic expression and creative freedom.
Presented by
Hanieh Tavassoli, Pegah Ahangarani Farahani, Ali Mosaffa, Pedram Sharifi, Ramin Sadighi, Amaneh Agharezakashi
Iran/Germany
2022
In Farsi with English subtitles
Gender or Sexual Discrimination
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Executive Producer
Daryosh Hekmat
Producer
Manijeh Hekmat, Mahshid Ahangarani Farahani
Screenwriter
Faeze Azizkhani
Cinematography
Alireza Barazandeh
Editor
Hamidreza Barzegar, Majid Barzegar
Production Design
Soheil Danesh Eshraghi
Original Music
Hesam-eddin Salehbeig
Director
Faeze Azizkhani
Born in 1982 in Tehran, Faeze Azizkhani completed her courses in Abbas Kiarostami’s workshops. In 1999, she started her career as a short film director, script supervisor, and assistant director. After directing some award-winning shorts and documentaries, Azizkhani wrote and directed her debut feature film, For a Rainy Day (2015), working with Kiarostami as her advisor. The film screened at the Fajr and Silk Road International Film Festivals. Her second film, The Locust, premiered at SXSW 2022.
Filmography: For a Rainy Day (2015)