Canadian Premiere
Behind on her rent and facing eviction, forty-something Hanieh (Hanieh Tavassoli) has everything riding on a semi-autobiographical screenplay that she’s just sold to a friend (Pegah Ahangarani) who’s rushing it into production. However, rehearsals prove dispiriting at best. While she considers every scene sacrosanct, the cast declare the character modelled after Hanieh a “bastard.” Finding little sympathy amongst her colleagues (who include an ornery, scene-stealing rooster), Hanieh seeks counsel from her father’s ghost and kinship with the audience, as she occasionally breaks the fourth wall.
In depicting Hanieh’s dizzying, tragicomic descent into a living nightmare, Faeze Azizkhani infuses her film with anarchic energy, rapid-fire dialogue, palpable anxiety, and biting humour that recalls 90s-era indie-filmmaking-gone-awry fare like In the Soup and Living in Oblivion. That said, there are culturally specific stakes here as Azizkhani illustrates just how stacked the odds are against a female filmmaker striving for artistic expression and creative freedom.
Presented by
Hanieh Tavassoli, Pegah Ahangarani Farahani, Ali Mosaffa, Pedram Sharifi, Ramin Sadighi, Amaneh Agharezakashi
Iran/Germany
2022
In Farsi with English subtitles
Gender or Sexual Discrimination
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
Schindler's List
One of the most acclaimed films of the 90s, Steven Spielberg's adaptation of Thomas Keneally's Schindler's Ark is the story of a German industrialist whose conscience is stirred to save his Jewish workers from the camps.
Free event.
Credits
Executive Producer
Daryosh Hekmat
Producer
Manijeh Hekmat, Mahshid Ahangarani Farahani
Screenwriter
Faeze Azizkhani
Cinematography
Alireza Barazandeh
Editor
Hamidreza Barzegar, Majid Barzegar
Production Design
Soheil Danesh Eshraghi
Original Music
Hesam-eddin Salehbeig
Director
Faeze Azizkhani
Born in 1982 in Tehran, Faeze Azizkhani completed her courses in Abbas Kiarostami’s workshops. In 1999, she started her career as a short film director, script supervisor, and assistant director. After directing some award-winning shorts and documentaries, Azizkhani wrote and directed her debut feature film, For a Rainy Day (2015), working with Kiarostami as her advisor. The film screened at the Fajr and Silk Road International Film Festivals. Her second film, The Locust, premiered at SXSW 2022.
Filmography: For a Rainy Day (2015)
