Canadian Premiere
Behind on her rent and facing eviction, forty-something Hanieh (Hanieh Tavassoli) has everything riding on a semi-autobiographical screenplay that she’s just sold to a friend (Pegah Ahangarani) who’s rushing it into production. However, rehearsals prove dispiriting at best. While she considers every scene sacrosanct, the cast declare the character modelled after Hanieh a “bastard.” Finding little sympathy amongst her colleagues (who include an ornery, scene-stealing rooster), Hanieh seeks counsel from her father’s ghost and kinship with the audience, as she occasionally breaks the fourth wall.
In depicting Hanieh’s dizzying, tragicomic descent into a living nightmare, Faeze Azizkhani infuses her film with anarchic energy, rapid-fire dialogue, palpable anxiety, and biting humour that recalls 90s-era indie-filmmaking-gone-awry fare like In the Soup and Living in Oblivion. That said, there are culturally specific stakes here as Azizkhani illustrates just how stacked the odds are against a female filmmaker striving for artistic expression and creative freedom.
Presented by
Hanieh Tavassoli, Pegah Ahangarani Farahani, Ali Mosaffa, Pedram Sharifi, Ramin Sadighi, Amaneh Agharezakashi
Iran/Germany
2022
In Farsi with English subtitles
Gender or Sexual Discrimination
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
Credits
Executive Producer
Daryosh Hekmat
Producer
Manijeh Hekmat, Mahshid Ahangarani Farahani
Screenwriter
Faeze Azizkhani
Cinematography
Alireza Barazandeh
Editor
Hamidreza Barzegar, Majid Barzegar
Production Design
Soheil Danesh Eshraghi
Original Music
Hesam-eddin Salehbeig
Director
Faeze Azizkhani
Born in 1982 in Tehran, Faeze Azizkhani completed her courses in Abbas Kiarostami’s workshops. In 1999, she started her career as a short film director, script supervisor, and assistant director. After directing some award-winning shorts and documentaries, Azizkhani wrote and directed her debut feature film, For a Rainy Day (2015), working with Kiarostami as her advisor. The film screened at the Fajr and Silk Road International Film Festivals. Her second film, The Locust, premiered at SXSW 2022.
Filmography: For a Rainy Day (2015)
