
Mixing animation with a wealth of archival footage, Chris Auchter’s film explores the 1985 dispute over logging on Haida Gwaii. On one side are Western Forest Products and Frank Beban Logging, who plan to engage in clearcut logging on Tllga Kun Gwaayaay (Lyell Island) and are supported by the BC government. On the other side is the Haida Nation, which wishes to protect its lands against further destruction. The confrontation involves court proceedings and a blockade, and Auchter takes us from canny retrospective commentary to the thick of the action.
Crucial to The Stand’s political aims is its depiction of simple human grace. The pride and passion of the Haida Nation representatives are foregrounded; especially stirring are spokesperson Miles Richardson, Jr. and the elders who are willing to be arrested for their actions. There is no harsh rhetoric (save for the bloviation of TV commentator Jack Webster, who strenuously supports the loggers); instead, the controversy is marked by a respect that does not at all undermine moral conviction.
Feb 28, 12:45 pm screening: Q&A with director Christopher Auchter
Impressive… There are some genuine learning experiences here.
Pat Mullen, POV magazine
Christopher Auchter
Delores Churchill, Miles Richardson Jr, Jack Webster
Canada
2024
In English and Haida with English subtitles
Northern Lights Audience Award, VIFF 2024
Book Tickets
Friday March 28
Sunday March 30
Monday March 31
Wednesday April 02
Thursday April 03
Friday April 04
Indigenous & Community Access
Credits
Executive Producer
Shirley Vercruysse
Producer
Shirley Vercruysse
Screenwriter
Christopher Auchter
ANIM
Christopher Auchter
Editor
Sarah Hedar
Original Music
Genevieve Vincent
Also Playing
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Exhibition on Screen: Dawn of Impressionism
The latest Exhibition on Screen film contextualizes the landmark show which launched Impressionism with correspondence and journal entries from Manet, Monet, Cezanne, Degas, Morisot et al, and looks also at the turbulent history of the period.