
Airports are places we head to in order to leave asap. It doesn’t always work that way. Iranian refugee Mehran Karimi Nasseri famously lived in the departure lounge of Charles de Gaulle airport for nearly two decades, a story that loosely inspired both Jonathan Dove’s opera Flight (the latest Vancouver Opera production) and Steven Spielberg’s 2004 film The Terminal. In Spielberg’s movie, Tom Hanks plays an Eastern European, Victor Navorski, whose arrival at JFK coincides with a coup d’etat in his (ficitonal) homeland that invalidates his passport. Trapped in a bureaucratic no-man’s-land, he adopts the airport as home.
Although reviews in 2004 were mixed, in retrospect The Terminal holds up as one of Spielberg’s warmest, most Capra-esque entertainments. In the years since, US immigration policy and attitudes to refugees in general, have hardened still further. Which makes the movie’s idealistic insistence on common humanity all the more moving.
Special Perk!
Get tickets to The Terminal and save up to $115 on tickets to Vancouver Opera’s upcoming presentation of Flight.*
Introduction by Leslie Dala (conductor, Vancouver Opera) and Ashley Daniel Foot
What makes Flight and The Terminal so powerful is how they speak to that feeling we all know—that sense of being “in between,” of waiting for something we can’t quite see yet. Both stories invite us to see airports not just as places of transit but as mirrors for our lives. In these waiting rooms, with their hum of announcements and distant echoes of conversation, we see glimpses of ourselves.
Ashley Daniel Foot, Director of Engagement, Vancouver Opera
A sweet and delicate comedy, a film to make you hold your breath, it is so precisely devised. It has big laughs, but it never seems to make an effort for them; it knows exactly, minutely and in every detail who its hero is and remains absolutely consistent to what he believes and how he behaves.
Roger Ebert
A vision of earthly paradise… improbably and enchantingly, about the romance of being stuck on the ground.
AO Scott, New York Times
*After the screening, The Terminal ticket purchasers who subscribe to VIFF News will receive a discount code via email.
Co-Presented with
Steven Spielberg
Tom Hanks, Stanley Tucci, Catherine Zeta-Jones, Diego Luna, Zoë Saldaña, Kumar Pallana, Chi McBride
USA
2004
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Sacha Gervasi, Jeff Nathanson
Cinematography
Janusz Kaminski
Editor
Michael Kahn
Original Music
John Williams
Production Design
Alex McDowell
Art Director
Christopher Burian-Mohr, Brad Ricker
Also Playing
The Encampments
When pro-Palestine protests took hold of Columbia last year, the filmmakers were there from the beginning. This documentary charts the mounting tensions between students and the administration, as the protests were picked up across North America.
Shepherds
Mathyas quits his marketing job in Montreal and goes to France with the romantic notion of becoming a shepherd. He's in for a rude awakening... Based on a true story, Deraspe's stirring film plays spiritual uplift off against some 3000 sheep and a donkey.
The Teacher
In this potent thriller, English teacher Basem witnesses the murder of a teenager by a Israeli settler. While the subsequent investigation rolls slowly towards a foregone conclusion, the teacher is caught up in a parallel kidnapping case...
Our Lady of the Nile
Veronica and Virginia are inseparable friends at an elite Catholic boarding school, Our Lady of the Nile, but what binds them together is the very thing that separates them forever. We are in Rwanda, 1973, and tribal tensions are simmering ominously.