The director of Pi, Requiem for a Dream, Black Swan, and Mother!, Darren Aronofsky has never been one to play safe. Here, in his first film in five years, Aronofsky bucks expectations again with a chamber piece about an English teacher, Charlie (Brendan Fraser, still recognizable under layers of latex), who appears to be on the verge of eating himself to death. The term “morbidly obese” is rightfully considered problematic, but in Charlie’s case it may apply: his eating is a kind of death wish, a semi-conscious bid to be reunited with his dead, gay lover. Before that happens, he reaches out to the teenage daughter he hasn’t seen in ten years.
Adapted from Samuel D. Hunter’s play, The Whale confronts prejudice in all shapes and sizes. It’s a gripping, compassionate drama which keeps us hooked without leaving the confines of Charlie’s apartment. Along with what is probably Fraser’s career-best performance, there’s sterling work here from Hong Chau (Downsizing) as his friend and de facto nurse, Samantha Morton as his ex-wife, and Sadie Sink (Stranger Things) as his rebellious daughter, Ellie.
Presented by
Darren Aronofsky
Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton
USA
2022
English
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Executive Producer
Scott Franklin, Tyson Bidner
Producer
Jeremy Dawson, Ari Handel, Darren Aronofsky
Screenwriter
Samuel D. Hunter
Cinematography
Matthew Libatique
Editor
Andrew Weisblum
Production Design
Mark Friedberg, Robert Pyzocha
Original Music
Rob Simonsen