The director of Pi, Requiem for a Dream, Black Swan, and Mother!, Darren Aronofsky has never been one to play safe. Here, in his first film in five years, Aronofsky bucks expectations again with a chamber piece about an English teacher, Charlie (Brendan Fraser, still recognizable under layers of latex), who appears to be on the verge of eating himself to death. The term “morbidly obese” is rightfully considered problematic, but in Charlie’s case it may apply: his eating is a kind of death wish, a semi-conscious bid to be reunited with his dead, gay lover. Before that happens, he reaches out to the teenage daughter he hasn’t seen in ten years.
Adapted from Samuel D. Hunter’s play, The Whale confronts prejudice in all shapes and sizes. It’s a gripping, compassionate drama which keeps us hooked without leaving the confines of Charlie’s apartment. Along with what is probably Fraser’s career-best performance, there’s sterling work here from Hong Chau (Downsizing) as his friend and de facto nurse, Samantha Morton as his ex-wife, and Sadie Sink (Stranger Things) as his rebellious daughter, Ellie.
Presented by
Darren Aronofsky
Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton
USA
2022
English
Self Harm
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Executive Producer
Scott Franklin, Tyson Bidner
Producer
Jeremy Dawson, Ari Handel, Darren Aronofsky
Screenwriter
Samuel D. Hunter
Cinematography
Matthew Libatique
Editor
Andrew Weisblum
Production Design
Mark Friedberg, Robert Pyzocha
Original Music
Rob Simonsen