The director of Pi, Requiem for a Dream, Black Swan, and Mother!, Darren Aronofsky has never been one to play safe. Here, in his first film in five years, Aronofsky bucks expectations again with a chamber piece about an English teacher, Charlie (Brendan Fraser, still recognizable under layers of latex), who appears to be on the verge of eating himself to death. The term “morbidly obese” is rightfully considered problematic, but in Charlie’s case it may apply: his eating is a kind of death wish, a semi-conscious bid to be reunited with his dead, gay lover. Before that happens, he reaches out to the teenage daughter he hasn’t seen in ten years.
Adapted from Samuel D. Hunter’s play, The Whale confronts prejudice in all shapes and sizes. It’s a gripping, compassionate drama which keeps us hooked without leaving the confines of Charlie’s apartment. Along with what is probably Fraser’s career-best performance, there’s sterling work here from Hong Chau (Downsizing) as his friend and de facto nurse, Samantha Morton as his ex-wife, and Sadie Sink (Stranger Things) as his rebellious daughter, Ellie.
Presented by
Darren Aronofsky
Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton
USA
2022
English
Self Harm
Book Tickets
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The Search
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Magic Farm
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Hedwig and the Angry Inch
Released in 2001, John Cameron Mitchell's flamboyant rock musical about a gender-queer punk rock singer from East Berlin pushed the boundaries of queer cinema. It's both heartbreaking and empowering. Screening with the short The Human Voice.
Credits
Executive Producer
Scott Franklin, Tyson Bidner
Producer
Jeremy Dawson, Ari Handel, Darren Aronofsky
Screenwriter
Samuel D. Hunter
Cinematography
Matthew Libatique
Editor
Andrew Weisblum
Production Design
Mark Friedberg, Robert Pyzocha
Original Music
Rob Simonsen