The director of Pi, Requiem for a Dream, Black Swan, and Mother!, Darren Aronofsky has never been one to play safe. Here, in his first film in five years, Aronofsky bucks expectations again with a chamber piece about an English teacher, Charlie (Brendan Fraser, still recognizable under layers of latex), who appears to be on the verge of eating himself to death. The term “morbidly obese” is rightfully considered problematic, but in Charlie’s case it may apply: his eating is a kind of death wish, a semi-conscious bid to be reunited with his dead, gay lover. Before that happens, he reaches out to the teenage daughter he hasn’t seen in ten years.
Adapted from Samuel D. Hunter’s play, The Whale confronts prejudice in all shapes and sizes. It’s a gripping, compassionate drama which keeps us hooked without leaving the confines of Charlie’s apartment. Along with what is probably Fraser’s career-best performance, there’s sterling work here from Hong Chau (Downsizing) as his friend and de facto nurse, Samantha Morton as his ex-wife, and Sadie Sink (Stranger Things) as his rebellious daughter, Ellie.
Presented by
Darren Aronofsky
Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton
USA
2022
English
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Hockney
An engaging, insightful and inspiring film portrait of the late great British and California artist. He’s one of the most accessible figurative painters of the last half century, but look closer, there’s much more to David Hockney than meets the eye.
Peter Asher: Everywhere Man
A chart topping pop star as one half of Peter and Gordon, Peter Asher was brother to Jane, brother in law to Paul McCartney, ran the Beatles' Apple, produced and managed James Taylor, Linda Ronstadt, and 10,000 Maniacs, to name just a few. He did it all.
The Crying Game
Notwithstanding its famous twist, Neil Jordan's moody thriller works differently on a second viewing, and hits different in 2026, with its rich and "problematic" stew of identity politics, love, violence and desire.
Romería
An orphan from a young age, 18-year-old Marina intends to pursue a university scholarship. The application, however, requires the signatures of her paternal grandparents, compelling her to embark on a pilgrimage and seek out the family she has never met.
Credits
Executive Producer
Scott Franklin, Tyson Bidner
Producer
Jeremy Dawson, Ari Handel, Darren Aronofsky
Screenwriter
Samuel D. Hunter
Cinematography
Matthew Libatique
Editor
Andrew Weisblum
Production Design
Mark Friedberg, Robert Pyzocha
Original Music
Rob Simonsen