
This Halloween, experimental music duo Magazinist will perform a live score to Carl Theodor Dreyer’s Vampyr (1932). Once described by Guillermo del Toro as being “the closest you get to poetry in film,” Vampyr combines dreamlike cinematography with nightmarish tableaux to depict the shadowy events of a small village where occult forces are at work.
Magazinist conjure a haunting shroud of sound using an array of supernatural contraptions, including a homemade tagelharpa, dulcimers, zithers, synthesizers, and ethereal vocal drones. Like the film’s somnambulant protagonist, Magazinist’s live score evokes an out-of-body experience with trance-like requiems and a chilling fog of gauzy textures.
As Gillian McIver notes: “In Vampyr characters always look up, they try to hear the noises that may not even exist. For example, Allan hears barking dogs and a crying baby, and then finds out that there are none in the house.” Indeed, Vampyr is one of the most hallucinatory films in the horror canon, a work of “startling beauty and maddening mystery; it is a vampire film like no other to date.”
Following two sold-out live scorings of Metropolis and Faust, Magazinist return to the VIFF Centre on October 27 with a few new tricks up their sleeves. And on that note: costumes encouraged!
Carl Theodor Dreyer
Julian West, Maurice Schutz, Rena Mandel, Sybille Schmitz, Jan Hieronimko, Henriette Gérard
Denmark
1932
In German with English subtitles (Film)
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Guest

Magazinist
Magazinist is an experimental sound art duo whose compositions make use of found sources, visual and sonic collage, and materially-driven processes. Their installations, including Reverse Search (2020) and Hotel Fata Morgana (2019), attempt to make intangible landscapes of media hearable, seeable, and feelable. Combining analog synthesis, digital sampling, and hand-built instrumentation, Magazinist conducts extended sonic studies in the form of immersive installations and multimedia performances. As independent artists, Matthew Tomkinson and Andy Zuliani have presented their work at CBC, VIFF, PuSh, VIDF, New Forms, Dance in Vancouver, Tanzmesse, Vines Art Festival, Active Passive, Dancing on the Edge, Festival du Nouveau Cinéma, Deep Blue, Lobe Spatial Sound Studio, and more. Magazinist operates on the ancestral and unceded territories of the xʷməθkʷəy̓ əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ ilwətaɁɬ (Tsleil-Waututh) Nations.
Credits
Screenwriter
Christen Jul, Carl Theodor Dreyer
Cinematography
Rudolph Maté
Original Music
Wolfgang Zeller
Art Director
Hermann Warm
Also Playing
BC's Blue Note Legacy Quartet
Four of Vancouver's brilliant jazz musicians come together as BC's Blue Note Legacy Quartet memorializing the iconic recording label (home to Monk, Coltrane, Wayne Shorter and so many others) followed by Sophie Huber's acclaimed 2018 documentary, Blue Note Records: Beyond the Notes.
Alfred Hitchcock's The Lodger
When a stranger rents a room from model Daisy and her mum and dad, her policeman boyfriend becomes suspicious... Presented with an original live score by Chris Gestrin, the first signature Hitchcock movie is loosely based on the Jack The Ripper murders.
Chen Baker Play J-Pop
Jeffery's Chen Baker band is back (and bigger than ever) to present a set of city pop and jazzy J-pop by the likes of Miki Matsubara, Taeko Ohnuki, Lamp, before the screening of Masayuki Suô's hilarious underdog comedy Sumo Do, Sumo Don't (1992).
Jesse Zubot in Concert
Using a violin, viola and miscellaneous electronics, and incorporating multiple sounds and techniques that relate to his work as a film composer, Jesse Zubot promises a unique and thrilling concert, followed by a preview of the the new BC film Inedia.
The Search
Shot in exquisite long takes, this brilliant film is a road movie wrapped around three love stories. A director and crew are looking for local cast to star in their film version of the classic Tibetan opera Prince Drime Kundun.
A Desert
The visceral power of images to get under our skin lies at the heart of Joshua Erkman's striking debut feature, a scorched earth neo-noir about a jaded landscape photographer, Alex (Kai Lennox) who runs into trouble in Mojave desert.