Exhuming transcripts from a 1950s UCLA study on transgender individuals, Chase Joynt and his cast employ re-enactments, reinvention, and personal reflections to examine the trans stories that are told and how—and by whom—they are authored.
Every bit as conceptually daring as VIFF 2020’s No Ordinary Man (which Joynt co-directed), Framing Agnes sees the director assume the role of vintage talk show host and administers clinical interrogations of the titular Agnes (Zackary Drucker) and dozens of other individuals (played by influential figures like Angelica Ross and Jen Richards) who transitioned in the mid-20th century. Further blurring fact and fiction, Joynt and his collaborators counterpoint their lived experiences with those of the women they’re portraying, while academic Jules Gill-Peterson offers historical context.
The result is an all-too-rare film that is in constant dialogue with itself. Both a historical excavation and bold deconstruction, Framing Agnes exists in a liminal space. And in sparking essential discourse about these trailblazers, it aspires to lay the groundwork for further social change.
Audience Award & NEXT Innovator Award, Sundance 2022
Q&A Oct 1 & Oct 3
Media Partner
Media Partner
Community Partner
Jules Gill-Peterson, Chase Joynt, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, Stephen Ira, Zackary Drucker
Canada/USA
2022
English
Gender or Sexual Discrimination
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Cookie Queens
A documentary about the annual Girl Scouts' cookie sale is probably not high on your list of must-sees, but don't be too sure — this movie is a delight, a rare celebration of girlhood, supportive family relations, and the art of salesmanship.
A Simple Machine
Cutting costs, swapping four wheels for two, Nick is downsizing to pay off his student debt. It's a path which leads to savings he had not anticipated, even if his girlfriend thinks he's losing it (and she may be right). A lean, low budget gem.
Searching for Satyrus
Award-winning filmmaker and photographer Rena Effendi embarks on a quest to track down the very rare Satyrus Effendi, a butterfly discovered by her father in the mountains of Aberbaijain. But what she finds is altogether more personal, and more upsetting.
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
Credits
Producer
Samantha Curley, Shant Joshi, Chase Joynt
Screenwriter
Chase Joynt, Morgan M Page
Cinematography
Aubree Bernier-Clarke
Editor
Brooke Stern Sebold, Cecilio Escobar
Production Design
Becca Blackwood
Original Music
Casey Mecija
Director
Chase Joynt
Director and writer Chase Joynt’s feature-length documentary No Ordinary Man (2020, co-directed with Aisling Chin-Yee) about jazz musician Billy Tipton won nine awards on the international festival circuit, including being named to TIFF Canada’s Top Ten. Joynt’s first book, You Only Live Twice (co-authored with Mike Hoolboom), was a 2017 Lambda Literary Award Finalist. Joynt also directed episodes of Two Sentence Horror Stories for The CW, which are now streaming on Netflix. With Samantha Curley, Chase runs Level Ground Productions, a production company in Los Angeles.
Filmography: No Ordinary Man (2020)