Exhuming transcripts from a 1950s UCLA study on transgender individuals, Chase Joynt and his cast employ re-enactments, reinvention, and personal reflections to examine the trans stories that are told and how—and by whom—they are authored.
Every bit as conceptually daring as VIFF 2020’s No Ordinary Man (which Joynt co-directed), Framing Agnes sees the director assume the role of vintage talk show host and administers clinical interrogations of the titular Agnes (Zackary Drucker) and dozens of other individuals (played by influential figures like Angelica Ross and Jen Richards) who transitioned in the mid-20th century. Further blurring fact and fiction, Joynt and his collaborators counterpoint their lived experiences with those of the women they’re portraying, while academic Jules Gill-Peterson offers historical context.
The result is an all-too-rare film that is in constant dialogue with itself. Both a historical excavation and bold deconstruction, Framing Agnes exists in a liminal space. And in sparking essential discourse about these trailblazers, it aspires to lay the groundwork for further social change.
Audience Award & NEXT Innovator Award, Sundance 2022
Q&A Oct 1 & Oct 3
Media Partner
Media Partner
Community Partner
Jules Gill-Peterson, Chase Joynt, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, Stephen Ira, Zackary Drucker
Canada/USA
2022
English
Gender or Sexual Discrimination
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Credits
Producer
Samantha Curley, Shant Joshi, Chase Joynt
Screenwriter
Chase Joynt, Morgan M Page
Cinematography
Aubree Bernier-Clarke
Editor
Brooke Stern Sebold, Cecilio Escobar
Production Design
Becca Blackwood
Original Music
Casey Mecija
Director
Chase Joynt
Director and writer Chase Joynt’s feature-length documentary No Ordinary Man (2020, co-directed with Aisling Chin-Yee) about jazz musician Billy Tipton won nine awards on the international festival circuit, including being named to TIFF Canada’s Top Ten. Joynt’s first book, You Only Live Twice (co-authored with Mike Hoolboom), was a 2017 Lambda Literary Award Finalist. Joynt also directed episodes of Two Sentence Horror Stories for The CW, which are now streaming on Netflix. With Samantha Curley, Chase runs Level Ground Productions, a production company in Los Angeles.
Filmography: No Ordinary Man (2020)