Exhuming transcripts from a 1950s UCLA study on transgender individuals, Chase Joynt and his cast employ re-enactments, reinvention, and personal reflections to examine the trans stories that are told and how—and by whom—they are authored.
Every bit as conceptually daring as VIFF 2020’s No Ordinary Man (which Joynt co-directed), Framing Agnes sees the director assume the role of vintage talk show host and administers clinical interrogations of the titular Agnes (Zackary Drucker) and dozens of other individuals (played by influential figures like Angelica Ross and Jen Richards) who transitioned in the mid-20th century. Further blurring fact and fiction, Joynt and his collaborators counterpoint their lived experiences with those of the women they’re portraying, while academic Jules Gill-Peterson offers historical context.
The result is an all-too-rare film that is in constant dialogue with itself. Both a historical excavation and bold deconstruction, Framing Agnes exists in a liminal space. And in sparking essential discourse about these trailblazers, it aspires to lay the groundwork for further social change.
Audience Award & NEXT Innovator Award, Sundance 2022
Q&A Oct 1 & Oct 3
Media Partner
Media Partner
Community Partner
Jules Gill-Peterson, Chase Joynt, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, Stephen Ira, Zackary Drucker
Canada/USA
2022
English
Gender or Sexual Discrimination
At SFU Woodward’s
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Streetwalker
Middle class and married, Elena (Miroslava Stern) has been seduced by an unscrupulous swindler, who turns out to be the pimp of Maria (Elda Peralta), a prostitute and Elena's estranged sister. But are they really so different under the skin?
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
Salón México
Cheated by her pimp, Mercedes recklessly steals his wallet and is only saved from a severe beating by the intervention of a kindly policeman. Hard-hitting social realism sits beside patriotic sentimentality and multiple red hot dance sequences.
The Kneeling Goddess
In which wealthy industrialist Arturo de Cordova purchases the titular nude sculpture of his lover (María Félix) as an anniversary gift for his innocent, adoring wife. Soon enough the wife is dead, though untangling just how and why is part of the fun.
Credits
Producer
Samantha Curley, Shant Joshi, Chase Joynt
Screenwriter
Chase Joynt, Morgan M Page
Cinematography
Aubree Bernier-Clarke
Editor
Brooke Stern Sebold, Cecilio Escobar
Production Design
Becca Blackwood
Original Music
Casey Mecija
Director
Chase Joynt
Director and writer Chase Joynt’s feature-length documentary No Ordinary Man (2020, co-directed with Aisling Chin-Yee) about jazz musician Billy Tipton won nine awards on the international festival circuit, including being named to TIFF Canada’s Top Ten. Joynt’s first book, You Only Live Twice (co-authored with Mike Hoolboom), was a 2017 Lambda Literary Award Finalist. Joynt also directed episodes of Two Sentence Horror Stories for The CW, which are now streaming on Netflix. With Samantha Curley, Chase runs Level Ground Productions, a production company in Los Angeles.
Filmography: No Ordinary Man (2020)


