
An operatic cine-poem weaving together the stories of African-Canadian singer Portia White, South African chef Phelokazi Ndlwana, and the Free Gender activist group—a Black lesbian organization based in Khayelitsha, a township on the outskirts of Cape Town.
Supported by
Community Broadcast Partner
Community Partner
Chantelle Grant, Vanya Abrahams, Ray McKenna
Canada
2022
English
Sexual Violence
Featured in:

VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
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The Teacher
In this potent thriller, English teacher Basem witnesses the murder of a teenager by a Israeli settler. While the subsequent investigation rolls slowly towards a foregone conclusion, the teacher is caught up in a parallel kidnapping case...
Bob Trevino Likes It
When her toxic, narcissistic dad cuts her out of his life, Lily Trevino looks him up on Facebook and happens across his namesake, Bob (John Leguizamo), a gentle, genial contractor who lives nearby, and who proves an altogether better dad...
The Encampments
When pro-Palestine protests took hold of Columbia last year, the filmmakers were there from the beginning. This documentary charts the mounting tensions between students and the administration, as the protests were picked up across North America.
Shepherds
Mathyas quits his marketing job in Montreal and goes to France with the romantic notion of becoming a shepherd. He's in for a rude awakening... Based on a true story, Deraspe's stirring film plays spiritual uplift off against some 3000 sheep and a donkey.
Our Lady of the Nile
Veronica and Virginia are inseparable friends at an elite Catholic boarding school, Our Lady of the Nile, but what binds them together is the very thing that separates them forever. We are in Rwanda, 1973, and tribal tensions are simmering ominously.
Faces
Ten years after his landmark debut, Shadows, John Cassavetes returned to the indie model, self-financing this wrenching portrait of the sexual mores and miseries of American middle class. Gena Rowlands is luminous as Jeannie, the film's emotional barometer.
Credits
Screenwriter
John Greyson
Cinematography
John Greyson
Editor
Nick White
Original Music
Bongani Ndodana-Breen
Directors

John Greyson
John Greyson is a Toronto filmmaker whose features, shorts, and new media works include Photo Booth (2022), Lilies (1996), Zero Patience (1993), Fig Trees (2009), and International Dawn Chorus Day (2021). A pioneer of the new Queer Cinema, his films have won four Berlin Teddies, five Canadian Screen Awards, and more than 50 Best Film prizes at festivals, including TIFF, Frameline, Inside Out, Locarno, Berlin, and Torino.
Selected Filmography: The Law of Enclosures (2000); Proteus (2003); Fig Trees (2009); Photo Booth (2022)

Bongani Ndodana-Breen
Bongani Ndodana-Breen is an award-winning South African composer whose operas and symphonic work include Winnie: The Opera, Orange Clouds, and Harmonia Ubuntu. He was awarded the Standard Bank Young Artist Award in 1998, holds a PhD in Composition from Rhodes University, and currently teaches music at Yale University.