Visions of dark impulses are given the spotlight and invite an opportunity to reflect on the personal in relation to the political, examining structural inequity and its impact on the individual, as well as individual acts and their impacts on our structures. From Congo to China, and the Philippines to Poland, the end is nigh.
This short film program includes the following films:
Lake of Fire
NEOZOON, Germany (11 min)
Fear of death and interpretations of hell filter through online social bubbles to distill a singular divine message.
The Stopover
Collectif Faire-part, Belgium/DR Congo (14 min)
Travelling from Kinshasa to Frankfurt, filmmakers Paul Shemisi and Nizar Saleh find themselves unjustly relegated to airport purgatory.
Very, Very, Tremendously
Guangli Liu, China/France (12 min)
Virtual currency and digital junk, along with virtual acts of production and consumption, interact with systems in our lived reality, highlighting their coexistence in geopolitical conflicts.
It’s Raining Frogs Outside
Maria Estela Paiso, Philippines (14 min)
Forced to return to the Philippines as the world abruptly closes, Maya recedes into a terrorizing solitude and a fever dream of mixed animation ensues.
The Earth Will Swallow it All
Dominik Ritszel, Poland (9 min)
A period of rapid modernization in Poland in the 1990s brought with it anxiety and fears inflicted by hegemonic order and a complete disregard for the social costs or traumatic after-effects.
Watch the Fire or Burn Inside it
Caroline Poggi, Jonathan Vinel, France (19 min)
In Corsica, a woman chooses to care for the earth by burning it.
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Whatcha Want
Whatcha Want, a hip-hop-infused drama from award-winning Vancouverite Mina Shum (Meditation Park), sees a restless trophy wife from Hong Kong rise above her wealthy husband’s infidelity by rekindling her passion for dance.
James McNeill Whistler
One of America’s greatest artists, James McNeill Whistler fashioned his life as a work of art in its own right. James McNeill Whistler looks beyond his famous portraits and self-styled “nocturnes” to dive into the true depths of Whistler’s legacy.
Let Them Be Seen
Let Them Be Seen is an absurdist portrait of the town of Tapoleng in South Africa’s Eastern Cape, moving through churches, spaza shops, and a Jam Alley re-enactment to document a village reshaping faith and community in post-apartheid life.
Yugo Goes to America
In Yugo Goes to America, millennials from Belgrade drive a Yugo — Yugoslavia’s notoriously unreliable vehicle — from New York to Los Angeles. Their freewheeling road trip traces the car’s volatile history alongside the breakup of Yugoslavia itself.
Elephants in the Fog
In a remote Nepalese village, Pirati takes charge in the search for a missing girl belonging to her family of third-gender Kinnar women. A densely atmospheric thriller and a moving portrait of an embattled but resilient community.