Living in a small Parisian apartment, Sandra (Léa Seydoux) is barely able to support herself and her eight-year-old daughter Linn as a freelance translator. As her father Georg (Pascal Greggory) continues to lose his sight and memory from Benson’s syndrome, Sandra must navigate the labyrinthine system of national care homes, with all their financial burdens and logistical nightmares.
As her entire life begins to revolve around her banal obligations, Sandra has a chance encounter with an old friend, Clément (Melvil Poupaud), which blossoms into a passionate affair. After experiencing her daily life for so long as a series of duties and responsibilities towards others, Sandra attempts to reconcile her role as mother and caretaker to her nascent love affair with Clément, feeling almost guilty at the sudden, unexpected burst of love and happiness as her father’s condition worsens. In her intimate, thoughtful exploration through the fragile vagaries of love—romantic, filial, domestic—Mia Hansen-Løve (Things to Come, Bergman Island), delivers another poignant, personal film that resonates long after it ends.
Seydoux’s performance anchors the film, ultimately rendering it a love letter to the present, and to the ways heartbreak and hope intertwine.”—Alissa Wilkinson, Vox
Supported by
Mia Hansen-Løve
Léa Seydoux, Pascal Greggory, Melvil Poupaud, Nicole Garcia, Camille Leban Martins
France/Germany
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
La Grazia
A contemplative, mournful but richly imagined movie about a retiring Italian President (Toni Servillo from The Great Beauty) facing two thorny ethical decisions that may define his legacy.
Image: © Andrea Pirrello
The Blue Star
In crisis, a popular singer quits Spain to backpack in Argentina. There he comes under the spell of a veteran musician, who teaches him the art of chacareras, zambas and vidalas. It's a journey of musical kinship and spiritual reawakening.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Producer
David Thion, Philippe Martin
Screenwriter
Mia Hansen-Løve
Cinematography
Denis Lenoir
Editor
Marion Monnier
Production Design
Mila Preli