Living in a small Parisian apartment, Sandra (Léa Seydoux) is barely able to support herself and her eight-year-old daughter Linn as a freelance translator. As her father Georg (Pascal Greggory) continues to lose his sight and memory from Benson’s syndrome, Sandra must navigate the labyrinthine system of national care homes, with all their financial burdens and logistical nightmares.
As her entire life begins to revolve around her banal obligations, Sandra has a chance encounter with an old friend, Clément (Melvil Poupaud), which blossoms into a passionate affair. After experiencing her daily life for so long as a series of duties and responsibilities towards others, Sandra attempts to reconcile her role as mother and caretaker to her nascent love affair with Clément, feeling almost guilty at the sudden, unexpected burst of love and happiness as her father’s condition worsens. In her intimate, thoughtful exploration through the fragile vagaries of love—romantic, filial, domestic—Mia Hansen-Løve (Things to Come, Bergman Island), delivers another poignant, personal film that resonates long after it ends.
Seydoux’s performance anchors the film, ultimately rendering it a love letter to the present, and to the ways heartbreak and hope intertwine.”—Alissa Wilkinson, Vox
Supported by
Mia Hansen-Løve
Léa Seydoux, Pascal Greggory, Melvil Poupaud, Nicole Garcia, Camille Leban Martins
France/Germany
2022
In French with English subtitles
Book Tickets
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It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Credits
Producer
David Thion, Philippe Martin
Screenwriter
Mia Hansen-Løve
Cinematography
Denis Lenoir
Editor
Marion Monnier
Production Design
Mila Preli
