Living in a small Parisian apartment, Sandra (Léa Seydoux) is barely able to support herself and her eight-year-old daughter Linn as a freelance translator. As her father Georg (Pascal Greggory) continues to lose his sight and memory from Benson’s syndrome, Sandra must navigate the labyrinthine system of national care homes, with all their financial burdens and logistical nightmares.
As her entire life begins to revolve around her banal obligations, Sandra has a chance encounter with an old friend, Clément (Melvil Poupaud), which blossoms into a passionate affair. After experiencing her daily life for so long as a series of duties and responsibilities towards others, Sandra attempts to reconcile her role as mother and caretaker to her nascent love affair with Clément, feeling almost guilty at the sudden, unexpected burst of love and happiness as her father’s condition worsens. In her intimate, thoughtful exploration through the fragile vagaries of love—romantic, filial, domestic—Mia Hansen-Løve (Things to Come, Bergman Island), delivers another poignant, personal film that resonates long after it ends.
Seydoux’s performance anchors the film, ultimately rendering it a love letter to the present, and to the ways heartbreak and hope intertwine.”—Alissa Wilkinson, Vox
Supported by
Mia Hansen-Løve
Léa Seydoux, Pascal Greggory, Melvil Poupaud, Nicole Garcia, Camille Leban Martins
France/Germany
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
Credits
Producer
David Thion, Philippe Martin
Screenwriter
Mia Hansen-Løve
Cinematography
Denis Lenoir
Editor
Marion Monnier
Production Design
Mila Preli