Living in a small Parisian apartment, Sandra (Léa Seydoux) is barely able to support herself and her eight-year-old daughter Linn as a freelance translator. As her father Georg (Pascal Greggory) continues to lose his sight and memory from Benson’s syndrome, Sandra must navigate the labyrinthine system of national care homes, with all their financial burdens and logistical nightmares.
As her entire life begins to revolve around her banal obligations, Sandra has a chance encounter with an old friend, Clément (Melvil Poupaud), which blossoms into a passionate affair. After experiencing her daily life for so long as a series of duties and responsibilities towards others, Sandra attempts to reconcile her role as mother and caretaker to her nascent love affair with Clément, feeling almost guilty at the sudden, unexpected burst of love and happiness as her father’s condition worsens. In her intimate, thoughtful exploration through the fragile vagaries of love—romantic, filial, domestic—Mia Hansen-Løve (Things to Come, Bergman Island), delivers another poignant, personal film that resonates long after it ends.
Seydoux’s performance anchors the film, ultimately rendering it a love letter to the present, and to the ways heartbreak and hope intertwine.”—Alissa Wilkinson, Vox
Supported by
Mia Hansen-Løve
Léa Seydoux, Pascal Greggory, Melvil Poupaud, Nicole Garcia, Camille Leban Martins
France/Germany
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Amrum
Twelve-year-old Nanning (Jasper Billerbeck) sets himself a mission to secure bread and honey for his mother to snap her out of her depression. It is 1945. The war is all but lost, and such luxuries are not easy to find on the remote island of Amrum...
The Power of Restitution: The Spoils
Join us for a special free screening of The Spoils, an acclaimed documentary about German-Jewish art dealer Max Stern, followed by a live panel discussion exploring the urgent and evolving global movement for art restitution.
The Music Room
Devan Scott continues his journey through the history of lighting. This week, he credits Indian director of photography Subrata Mitra for profound innovations that laid the foundation for ideas of motivated lighting + screening of The Music Room.
Credits
Producer
David Thion, Philippe Martin
Screenwriter
Mia Hansen-Løve
Cinematography
Denis Lenoir
Editor
Marion Monnier
Production Design
Mila Preli