World Premiere
The director returns to his parents’ home and talks them into playing roles in a film he is making, addressing delicate personal and familial subjects in the process. This is an extremely engaging and reflective documentary that explores family relations in a low-key, often humorous way that offsets the seriousness of some of the subjects. The film is also a visual treat, taking us on a tour around his parents’ house and community in Lisbon, while it plays with images of youth, age, and the relationship between memory, film, and time. From discussions about mortality to imitating Marcello Mastroianni, Ponto Final strikes a beautiful balance between the family’s personal lives and their distractions for the camera.
Community Partner
Elvira Beraza, Jesús López
Spain/Portugal
2022
In Spanish and Portuguese with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
Credits
Producer
Mireia Graell Vivancos
Screenwriter
Miguel López Beraza, Mireia Graell Vivancos
Cinematography
Alberto González Casal
Editor
Pedro Collantes
Production Design
Patricia Huguet
Original Music
Laura Casaponsa
Director
Chad Charlie
Madrid-based filmmaker Miguel López Beraza combines architecture with filmmaking. He was awarded a scholarship to take part in the DoCNomads Master’s Degree in Documentary Filmmaking and, afterwards, another one to attend the advanced screenwriting workshop at Escuela Internacional de Cine y Televisión (EICTV) in Cuba. His first film, Walls (2014), received the 2015 Goya Award in Spain for Best Documentary Short. His next work, With All Our Cameras (2016), premiered at the Rotterdam Film Festival and won the Grand Prix at T-Mobile New Horizons International Film Festival’s European Short Film Competition.
