
World Premiere
The director returns to his parents’ home and talks them into playing roles in a film he is making, addressing delicate personal and familial subjects in the process. This is an extremely engaging and reflective documentary that explores family relations in a low-key, often humorous way that offsets the seriousness of some of the subjects. The film is also a visual treat, taking us on a tour around his parents’ house and community in Lisbon, while it plays with images of youth, age, and the relationship between memory, film, and time. From discussions about mortality to imitating Marcello Mastroianni, Ponto Final strikes a beautiful balance between the family’s personal lives and their distractions for the camera.
Community Partner
Elvira Beraza, Jesús López
Spain/Portugal
2022
In Spanish and Portuguese with English subtitles
Featured in:

International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
Credits
Producer
Mireia Graell Vivancos
Screenwriter
Miguel López Beraza, Mireia Graell Vivancos
Cinematography
Alberto González Casal
Editor
Pedro Collantes
Production Design
Patricia Huguet
Original Music
Laura Casaponsa
Director

Chad Charlie
Madrid-based filmmaker Miguel López Beraza combines architecture with filmmaking. He was awarded a scholarship to take part in the DoCNomads Master’s Degree in Documentary Filmmaking and, afterwards, another one to attend the advanced screenwriting workshop at Escuela Internacional de Cine y Televisión (EICTV) in Cuba. His first film, Walls (2014), received the 2015 Goya Award in Spain for Best Documentary Short. His next work, With All Our Cameras (2016), premiered at the Rotterdam Film Festival and won the Grand Prix at T-Mobile New Horizons International Film Festival’s European Short Film Competition.