World Premiere
The director returns to his parents’ home and talks them into playing roles in a film he is making, addressing delicate personal and familial subjects in the process. This is an extremely engaging and reflective documentary that explores family relations in a low-key, often humorous way that offsets the seriousness of some of the subjects. The film is also a visual treat, taking us on a tour around his parents’ house and community in Lisbon, while it plays with images of youth, age, and the relationship between memory, film, and time. From discussions about mortality to imitating Marcello Mastroianni, Ponto Final strikes a beautiful balance between the family’s personal lives and their distractions for the camera.
Community Partner
Elvira Beraza, Jesús López
Spain/Portugal
2022
In Spanish and Portuguese with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
Missing VIFF? Check out what's playing at the VIFF Centre
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
The Voice of Hind Rajab
Mixing documentary and reenactment, this film powerfully evokes the desperate attempts of the Red Crescent to rescue a six year old child trapped in a car under Israeli military fire. Oscar nominee: Best International Film
Victims of Sin
This movie is a hot scramble of piety and passion, sentimentality and sleaze. Ninón Sevilla plays Violeta, a rumba sensation who oversteps when she rescues a newborn from the trash. This gets her fired and wins the enmity of the pimp who fathered the kid.
Sensualidad
Prostitute Aurora (Cuban-born dance queen Ninón Sevilla) gets out of prison and exacts her vengeance by seducing the very married and respectable judge who put her behind bars (Fernando Soler). Eros makes a mockery of rectitude and righteousness.
Credits
Producer
Mireia Graell Vivancos
Screenwriter
Miguel López Beraza, Mireia Graell Vivancos
Cinematography
Alberto González Casal
Editor
Pedro Collantes
Production Design
Patricia Huguet
Original Music
Laura Casaponsa
Director
Chad Charlie
Madrid-based filmmaker Miguel López Beraza combines architecture with filmmaking. He was awarded a scholarship to take part in the DoCNomads Master’s Degree in Documentary Filmmaking and, afterwards, another one to attend the advanced screenwriting workshop at Escuela Internacional de Cine y Televisión (EICTV) in Cuba. His first film, Walls (2014), received the 2015 Goya Award in Spain for Best Documentary Short. His next work, With All Our Cameras (2016), premiered at the Rotterdam Film Festival and won the Grand Prix at T-Mobile New Horizons International Film Festival’s European Short Film Competition.