World Premiere
The director returns to his parents’ home and talks them into playing roles in a film he is making, addressing delicate personal and familial subjects in the process. This is an extremely engaging and reflective documentary that explores family relations in a low-key, often humorous way that offsets the seriousness of some of the subjects. The film is also a visual treat, taking us on a tour around his parents’ house and community in Lisbon, while it plays with images of youth, age, and the relationship between memory, film, and time. From discussions about mortality to imitating Marcello Mastroianni, Ponto Final strikes a beautiful balance between the family’s personal lives and their distractions for the camera.
Community Partner
Elvira Beraza, Jesús López
Spain/Portugal
2022
In Spanish and Portuguese with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
Missing VIFF? Check out what's playing at the VIFF Centre
The Python Hunt
Strange but true: the Florida Everglades are overrun with unwanted visitors. Not tourists, but invasive Burmese pythons decimating the local critters. The state's solution: an annual contest: $10 000 to whomever bags the most snakes in ten days.
Holy Days
After his mom passes, Brian (Elijah Tamati) is comforted by Sisters Agnes, Luke and Mary Clare (Judy Davis, Miriam Margolyes and Jacki Weaver, respectively). The quirky quartet hit the road to save their convent from being sold to a property developer.
Mārama
Set in North Yorkshire, 1859, this creepy gothic horror plays like The Piano in reverse: a young Maori woman takes up a position as a governess to a wealthy whaler's child, but finds colonial skeletons in his closets.
Departures
Two lads meet at an airport gate and begin monthly trips to Amsterdam together. Their chemistry is off the charts, but it's Jake who's calls the shots while Benji is the one who's emotionally invested. Comparisons to Pillion and Trainspotting are on mark.
Credits
Producer
Mireia Graell Vivancos
Screenwriter
Miguel López Beraza, Mireia Graell Vivancos
Cinematography
Alberto González Casal
Editor
Pedro Collantes
Production Design
Patricia Huguet
Original Music
Laura Casaponsa
Director
Chad Charlie
Madrid-based filmmaker Miguel López Beraza combines architecture with filmmaking. He was awarded a scholarship to take part in the DoCNomads Master’s Degree in Documentary Filmmaking and, afterwards, another one to attend the advanced screenwriting workshop at Escuela Internacional de Cine y Televisión (EICTV) in Cuba. His first film, Walls (2014), received the 2015 Goya Award in Spain for Best Documentary Short. His next work, With All Our Cameras (2016), premiered at the Rotterdam Film Festival and won the Grand Prix at T-Mobile New Horizons International Film Festival’s European Short Film Competition.
