Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”
In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.
Q&A Oct 5 & Oct 7
Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake
Canada
2022
In English, Mandarin, and Russian with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Agent of Happiness
In the Kingdom of Bhutan, the government makes a point of asking citizens about their level of contentment. This droll, poetical doc follows census-taker Amber as he takes villagers through the 148-question survey and contemplates his own life too.
Bird
In Andrea Arnold's latest, 12-year-old Bailey (Nykiya Adams) lives in a squat near the English seaside. Neglected by her chaotic father (Barry Keoghan), she pursues an adventure with a magnetic stranger named Bird (Franz Rogowski).
Arthur Erickson: Beauty Between the Lines
This new documentary offers the most complete account so far of the life and work of Canada's greatest architect, the man responsible for several of the finest buildings in Vancouver -- including the Museum of Anthropology and the SFU Campus.
Feven Kidane Quartet: Music Inspired by the Film Soundtrack to a Coup D'Etat + Film Screening
Trumpeter Feven Kidane, with Quincy Mayes on keys, Bernie Arai on drums, and Milo Johnson on bass, present a special set of original music inspired by Johan Grimonprez's brilliant essay film on the assassination of Patrice Lumumba, Jazz, and the Cold War.
Ghost Cat Anzu
When fifth grader Karin is deposited with her grandfather for the summer she takes out her unhappiness on his giant talking cat, Anzu -- who looks out for her even so. This wildly original anime riffs on Spirited Away with pleasing irreverence. Rated: PG.
Credits
Producer
Ashley McKenzie, Britt Kerr, Nelson MacDonald
Screenwriter
Ashley McKenzie
Cinematography
Scott Moore
Editor
Ashley McKenzie, Scott Moore
Production Design
Michael Pierson
Original Music
Yu Su, Cecile Believe
Director
Ashley McKenzie
Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.
Filmography: Werewolf (2016)