Skip to main content
Queens of the Qing Dynasty film image, director Ashley McKenzie

Queens of the Qing Dynasty

This event has passed

Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”

In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.

 

Q&A Oct 5 & Oct 7

Director
Cast

Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake

Credits
Country of Origin

Canada

Year

2022

Language

In English, Mandarin, and Russian with English subtitles

Film Contact
Links
Content Warning

Self Harm

18+
122 min
Drama Experimental & Avant Garde LGBTQIA2S+ Romance Women Directors

Book Tickets

This event has passed.

Missing VIFF? Check out what's playing at the VIFF Centre

How to Divorce During the War

Dir. Andrius Blazevicius
108 min

Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Mary Oliver: Saved by the Beauty of the World

Dir. Sasha Waters
91 min

Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.

VIFF Centre - Lochmaddy Studio Theatre

Late Fame

Dir. Kent Jones
96 min

Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.

VIFF Centre - VIFF Cinema

American Doctor

Dir. Poh Si Teng
93 min

One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.

VIFF Centre - Lochmaddy Studio Theatre VIFF Centre - VIFF Cinema

Filipiñana

Dir. Rafael Manuel
100 min

A luxury golf course in the Philippines is the microcosm for Rafel Manuel's vastly assured feature debut, a striking composed comedy which mixes languid surrealism with pointed political satire.

VIFF Centre - VIFF Cinema VIFF Centre - Lochmaddy Studio Theatre

Kindergarten

Dir. Jean-François Caissy
84 min

In this charming Quebecois documentary, we are invited to look closely at the interactions of children between the ages of 1 and 5, a period in which they are just beginning to learn about social interactions. And yet how much they resemble ourselves!

VIFF Centre - Lochmaddy Studio Theatre

Credits

Producer

Ashley McKenzie, Britt Kerr, Nelson MacDonald

Screenwriter

Ashley McKenzie

Cinematography

Scott Moore

Editor

Ashley McKenzie, Scott Moore

Production Design

Michael Pierson

Original Music

Yu Su, Cecile Believe

Director

Ashley McKenzie headshot, Queens of the Qing Dynasty director

Ashley McKenzie

Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.

Filmography: Werewolf (2016)