Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”
In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.
Q&A Oct 5 & Oct 7
Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake
Canada
2022
In English, Mandarin, and Russian with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Julio Avila Cuban Band Live + The Mambo Kings Film Screening
Feel the heat! Shake your booty as we combine a live set of exhilarating Cuban music followed by a rediscovered 90s barnstormer of a movie starring Latin heartthrobs Armand Assante and Antonio Banderas alongside the likes of Tito Puente and Celia Cruz.
The Silence of the Lambs
Hannibal "The Cannibal" Lecter (Anthony Hopkins) gives FBI serial killer hunter Clarice Starling (Jodie Foster) pointers from his maximum security cell. But is he trying to aid the investigation, or just messing with her head?
Namesake
Powell River... named for Israel Wood Powell, a 19th century politician and a man of his time, an advocate for residential schools and the Indian Act. The Tla'amin Nation asks the city to consider changing its name, a request which sparks intense debate.
Delicatessen
Amelie director Jean-Pierre Jeunet collaborated with Marc Caro on their first film, a breathlessly inventive and unexpectedly charming comedy about two young lovers evading a cannibal butcher in a post-apocalyptic France.
Mistura
This foodie film from Peru tells the story of a newly single socialite reinventing herself — and the local cuisine — after her husband has left her for a younger woman. Along the way, she finds support from unexpected places...
Credits
Producer
Ashley McKenzie, Britt Kerr, Nelson MacDonald
Screenwriter
Ashley McKenzie
Cinematography
Scott Moore
Editor
Ashley McKenzie, Scott Moore
Production Design
Michael Pierson
Original Music
Yu Su, Cecile Believe
Director
Ashley McKenzie
Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.
Filmography: Werewolf (2016)