Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”
In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.
Q&A Oct 5 & Oct 7
Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake
Canada
2022
In English, Mandarin, and Russian with English subtitles
Self Harm
Book Tickets
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Hockney
An engaging, insightful and inspiring film portrait of the late great British and California artist. He’s one of the most accessible figurative painters of the last half century, but look closer, there’s much more to David Hockney than meets the eye.
Peter Asher: Everywhere Man
A chart topping pop star as one half of Peter and Gordon, Peter Asher was brother to Jane, brother in law to Paul McCartney, ran the Beatles' Apple, produced and managed James Taylor, Linda Ronstadt, and 10,000 Maniacs, to name just a few. He did it all.
Democracy Under Siege
As the USA turns 250, Oscar-nominated director Laura Nix considers the roots of the current political crisis with commentary from historian Heather Cox Richardson, progressive politician Jamie Raskin, and cartoonist Ann Telnaes, among others.
Malcolm X
In an indelible role, Denzel Washington give us a layered, compassionate, conflicted man who finds the strength in Islam to transcend his demons and confront the inequity and racism in America head-on. Along with Do the Right Thing, this is Spike Lee's greatest film.
Credits
Producer
Ashley McKenzie, Britt Kerr, Nelson MacDonald
Screenwriter
Ashley McKenzie
Cinematography
Scott Moore
Editor
Ashley McKenzie, Scott Moore
Production Design
Michael Pierson
Original Music
Yu Su, Cecile Believe
Director
Ashley McKenzie
Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.
Filmography: Werewolf (2016)