Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”
In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.
Q&A Oct 5 & Oct 7
Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake
Canada
2022
In English, Mandarin, and Russian with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Clan of the Painted Lady + Q&A
Jennifer Chiu's engrossing documentary explores the Hakka — a people, a language, and a culture that have been obscured for far too long. Tracing her own lineage back from Canada to China, the director creates an illuminating, bravely personal film.
Fiume o Morte!
The Croatian city of Rijeka rediscovers its own past in this delightfully unconventional hybrid documentary about Italian poet and proto-fascist Gabriele D’Annunzio, who seized the city known in Italian as Fiume in 1919.
Silent Friend
In this entrancing reverie from On Body and Soul director Ildikó Enyedi, we are invited to contemplate several human specimens from the vantage point of a mighty Ginkgo biloba tree on the grounds of a German university.
At the Place of Ghosts
In this supernatural Indigenous thriller from the director of Wildhood, siblings Mise'l and Antle journey into Sk+te'kmujue'katik (the Place of Ghosts), a primordial forest that exists outside of time, to confront their violent upbringing.
Bushido
An impeccable samurai (and "Go" expert), Kakunoshin is framed for a crime and forced into exile. Years later he stumbles across the true reason for his fall from grace, and sets about exacting his revenge...
Credits
Producer
Ashley McKenzie, Britt Kerr, Nelson MacDonald
Screenwriter
Ashley McKenzie
Cinematography
Scott Moore
Editor
Ashley McKenzie, Scott Moore
Production Design
Michael Pierson
Original Music
Yu Su, Cecile Believe
Director
Ashley McKenzie
Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.
Filmography: Werewolf (2016)