Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”
In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.
Q&A Oct 5 & Oct 7
Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake
Canada
2022
In English, Mandarin, and Russian with English subtitles
Self Harm
Book Tickets
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What Remains
Stuck in a big city in a mind-numbing domestic routine, a young poetess finds herself at crossroads when her role as a mother and wife starts to overshadow her identity as an artist.
School for Defectors
School for Defectors is an intimate and quietly uplifting documentary that follows a group of 20 teenagers, children of North Korean defectors, as they adjust to life and education at Jangdaehyun School in Busan, South Korea.
Fruit Gathering
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Short Forum 7: War at Home
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Turtle Island Rap
Taking us into the world of Indigenous hip-hop, this soulful doc profiles three up-and-comers in the genre. Exploring its subject’s personal lives as well as their career moves, the film is a work of complex human portraiture — and the music is terrific.
Send the Rain
In Kaayla Whachell and Hayley Gray's tender drama Send the Rain, a young Okinawan-Canadian attempts to evacuate her stubborn grandmother from a wildfire zone, forcing both women to confront family history, responsibility, and the pull of home.
Credits
Producer
Ashley McKenzie, Britt Kerr, Nelson MacDonald
Screenwriter
Ashley McKenzie
Cinematography
Scott Moore
Editor
Ashley McKenzie, Scott Moore
Production Design
Michael Pierson
Original Music
Yu Su, Cecile Believe
Director
Ashley McKenzie
Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.
Filmography: Werewolf (2016)