Recovering from a suicide attempt in a Cape Breton hospital, Star (Sarah Walker), a neurodiverse teen, is drawn into the orbit of An (Ziyin Zheng), a genderqueer volunteer. Despite their disparate backgrounds (An has recently arrived from Shanghai), the pair operate on identical idiosyncratic frequencies, fortifying their bond through a flurry of text messages and unguarded declarations. After disclosing her aspiration of becoming a trophy wife to An, Star incants, “You’re sinning… making me evil.”
In reality, there’s nothing sinister afoot in Ashley McKenzie’s (Werewolf, 2016) extraordinary sophomore feature. Rather, it’s a disarmingly open-hearted, formally exhilarating ode to a fairy tale friendship. A heady mix of unvarnished-yet-eloquent dialogue, transportive electronic compositions by Yu Su and Cecile Believe, and visual flourishes that meld social media, animation, and VR, the film sees McKenzie adhering to her social realist principles while exploring a more expansive, sensorially rich brand of cinema. Unfolding in society’s margins, Queens of the Qing Dynasty burns as incandescently as its two stars.
Q&A Oct 5 & Oct 7
Sarah Walker, Ziyin Zheng, Wendy Wishart, Jana Reddick, Yao Xue, Cherlena Brake
Canada
2022
In English, Mandarin, and Russian with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Farruquito: a Flamenco Dynasty
Legendary flamenco dancer Farruquito struggles to reconcile his past with his family legacy. Revelling in the artistry of Romani music and dance, Farruquito: A Flamenco Dynasty explores family dynamics and the pursuit of greatness.
Linka Linka
Kangdrun's feature debut depicts a twentysomething filmmaker coming to grips with a shameful act she committed in childhood. Moving between past and present, with each main character played by two actors, this is a provocative and challenging work.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
La Gradiva
Winner of the Grand Prize at Cannes’ Critics’ Week, Marine Atlan's feature debut follows a class of French high-school students on a trip to Naples. While learning about the ruins of Pompeii by day, a different kind of education takes place at night.
Image: © Films du poisson, Bibi Film TV, Arte France Cinema
Fugs Film!
Originating as a group of New York beatniks, The Fugs' taboo-embracing contempt for social norms made them one of the strangest bands of the 1960s. Fugs Film! is a raucous, irreverent celebration of rebellion, poetry, and counterculture legacy.
Whispers in May
Whispers in May follows Qihuo and her friends in China’s Liangshan Mountains as childhood gives way to womanhood. It blends close observation and scenes of the girls' search with animated fragments of Yi oral myth to create a hypnotic coming-of-age film.
Credits
Producer
Ashley McKenzie, Britt Kerr, Nelson MacDonald
Screenwriter
Ashley McKenzie
Cinematography
Scott Moore
Editor
Ashley McKenzie, Scott Moore
Production Design
Michael Pierson
Original Music
Yu Su, Cecile Believe
Director
Ashley McKenzie
Ashley McKenzie (she/they) is a filmmaker based in Unama’ki (Cape Breton Island). Her debut feature Werewolf (2016) won the Rogers Best Canadian Film Award from the Toronto Film Critics Association in 2017. Film Comment called Werewolf “an austere, marvelously focused debut feature,” while The New Yorker named it to their Best Movies of 2018 list. Ashley’s films have screened at the Berlinale, Toronto International Film Festival, Maryland Film Festival, and Sydney Film Festival, and have been curated by the Criterion Channel, MUBI, and Anthology Film Archives.
Filmography: Werewolf (2016)