When we meet Julia (Julie Ledru), this feral loner demonstrates her predatory nature by conning a hapless seller out of his motorcycle. But when she crashes a local “rodeo”—a high-octane, higher testosterone underground motocross circuit where brash bikers one-up one another—it’s apparent that she’ll need to raise her game all the more. After employing her guile to tenuously insinuate herself in this cut-throat clique, she must deliver something showstopping if she’s to stick around. As it so happens, she has an idea for an audacious heist.
Ledru brings a gunslinger’s bearing to Lola Quivoron’s adrenaline-charged film, which is shot in Western-indebted CinemaScope by Raphaël Vandenbussche. Drawing from childhood memories of illicit motocross competitions in her Paris suburb, Quivoron captures both the exhilaration and peril associated with these machines when their full power is unleashed. And while Rodeo boasts tour-de-force stuntwork, its character dynamics are equally transfixing: Julia has entered a world in which every encounter is as perilous as hairpin turn.
“Coup de coeur” Prize, Cannes 2022 (Un Certain Regard)
Q&A Oct 4 & Oct 6
Supported by
Media Partner
Lola Quivoron
Julie Ledru, Yanis Lafki, Antonia Buresi, Cody Schroeder, Louis Sotton, Junior Correia
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
GoodFellas
The ultimate crash and burn movie, Scorsese's exhilarating gangster film is infused with the excitement of fast cash, girls, guns and drugs. Yet this brazenly amoral movie also captures the brutality, betrayal, and spiritual void of the criminal world.
Pulp Fiction + The ReViberators
In the spirit of Quentin Tarantino, we're going to launch our summer series 90s, Baby! smack in the middle, with 1994's Pulp Fiction, the most exciting and influential movie of its era. On 35mm. Preceded by surf guitar sensations The ReViberators live!
Madonna: Truth or Dare
A year in the life of Madonna at the height of her fame, touring Blonde Ambition through 1990. There's concert footage, but the movie is also daringly truthful about life behind the scenes — not that Madonna is every really off-stage.
Credits
Producer
Charles Gillibert
Screenwriter
Lola Quivoron, Antonia Buresi
Cinematography
Raphaël Vandenbussche
Editor
Rafael Torres Calderon
Production Design
Gabrielle Desjean
Original Music
Kelman Duran