When we meet Julia (Julie Ledru), this feral loner demonstrates her predatory nature by conning a hapless seller out of his motorcycle. But when she crashes a local “rodeo”—a high-octane, higher testosterone underground motocross circuit where brash bikers one-up one another—it’s apparent that she’ll need to raise her game all the more. After employing her guile to tenuously insinuate herself in this cut-throat clique, she must deliver something showstopping if she’s to stick around. As it so happens, she has an idea for an audacious heist.
Ledru brings a gunslinger’s bearing to Lola Quivoron’s adrenaline-charged film, which is shot in Western-indebted CinemaScope by Raphaël Vandenbussche. Drawing from childhood memories of illicit motocross competitions in her Paris suburb, Quivoron captures both the exhilaration and peril associated with these machines when their full power is unleashed. And while Rodeo boasts tour-de-force stuntwork, its character dynamics are equally transfixing: Julia has entered a world in which every encounter is as perilous as hairpin turn.
“Coup de coeur” Prize, Cannes 2022 (Un Certain Regard)
Q&A Oct 4 & Oct 6
Supported by
Media Partner
Lola Quivoron
Julie Ledru, Yanis Lafki, Antonia Buresi, Cody Schroeder, Louis Sotton, Junior Correia
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
House of Hope
"House of Hope" is the name of a Waldorf elementary school near Jerusalem in the occupied West Bank, founded by Manar and her husband Milad. This documentary follows their efforts to go about their lives before, during, and after the events of October 7.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Halloween Live! The Crypt Keepers + The Day of the Beast
Amp up your Halloween with a unique live set of holidays cuts from The Crypt Keepers, followed by Alex de la Iglesias's cult comic horror Day of the Beast, a wild ride about a sinful Catholic priest on the warpath against Satan.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Producer
Charles Gillibert
Screenwriter
Lola Quivoron, Antonia Buresi
Cinematography
Raphaël Vandenbussche
Editor
Rafael Torres Calderon
Production Design
Gabrielle Desjean
Original Music
Kelman Duran