In the wake of a viscera-spilling battle with a menacing foam-rubber turtle, the superheroic, hard-smoking members of Tobacco Force are ordered to undergo a week of team-building at a remote bunker. In lieu of trading punches with arch-nemeses, they exchange outrageous campfire stories about others’ misfortunes, each of which demonstrates that Quentin Dupieux’s absurdism has multiple registers. Alas, there’s no rest for the spandex-clad, as the reigning Emperor of Evil has spotted an opportune time to annihilate the universe.
Assembling a constellation of notable French stars (including Gilles Lellouche and Anaïs Demoustier), adorning them in Mighty Morphin Power Rangers knockoff costumes, and surrounding them with janky, outdated technology, Dupieux concocts the superhero sendup that we never would’ve believed that we desperately needed. Melding the altruism commonly associated with the cape-and-cowl genre with the inherent nihilism of the director’s outré oeuvre results in one of the year’s most sublimely ridiculous films.
Supported by
Media Partner
Quentin Dupieux
Gilles Lellouche, Anaïs Demoustier, Oulaya Amamra, Adèle Exarchopoulos, Alain Chabat, Vincent Lacoste, Jean-Pascal Zadi
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.
Credits
Producer
Hugo Sélignac
Screenwriter
Quentin Dupieux
Cinematography
Quentin Dupieux
Editor
Quentin Dupieux
Production Design
Joan Le Boru
Original Music
Quentin Dupieux