In the wake of a viscera-spilling battle with a menacing foam-rubber turtle, the superheroic, hard-smoking members of Tobacco Force are ordered to undergo a week of team-building at a remote bunker. In lieu of trading punches with arch-nemeses, they exchange outrageous campfire stories about others’ misfortunes, each of which demonstrates that Quentin Dupieux’s absurdism has multiple registers. Alas, there’s no rest for the spandex-clad, as the reigning Emperor of Evil has spotted an opportune time to annihilate the universe.
Assembling a constellation of notable French stars (including Gilles Lellouche and Anaïs Demoustier), adorning them in Mighty Morphin Power Rangers knockoff costumes, and surrounding them with janky, outdated technology, Dupieux concocts the superhero sendup that we never would’ve believed that we desperately needed. Melding the altruism commonly associated with the cape-and-cowl genre with the inherent nihilism of the director’s outré oeuvre results in one of the year’s most sublimely ridiculous films.
Supported by
Media Partner
Quentin Dupieux
Gilles Lellouche, Anaïs Demoustier, Oulaya Amamra, Adèle Exarchopoulos, Alain Chabat, Vincent Lacoste, Jean-Pascal Zadi
France
2022
In French with English subtitles
Book Tickets
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All the Lovers in the Night
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Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
Credits
Producer
Hugo Sélignac
Screenwriter
Quentin Dupieux
Cinematography
Quentin Dupieux
Editor
Quentin Dupieux
Production Design
Joan Le Boru
Original Music
Quentin Dupieux

