In the wake of a viscera-spilling battle with a menacing foam-rubber turtle, the superheroic, hard-smoking members of Tobacco Force are ordered to undergo a week of team-building at a remote bunker. In lieu of trading punches with arch-nemeses, they exchange outrageous campfire stories about others’ misfortunes, each of which demonstrates that Quentin Dupieux’s absurdism has multiple registers. Alas, there’s no rest for the spandex-clad, as the reigning Emperor of Evil has spotted an opportune time to annihilate the universe.
Assembling a constellation of notable French stars (including Gilles Lellouche and Anaïs Demoustier), adorning them in Mighty Morphin Power Rangers knockoff costumes, and surrounding them with janky, outdated technology, Dupieux concocts the superhero sendup that we never would’ve believed that we desperately needed. Melding the altruism commonly associated with the cape-and-cowl genre with the inherent nihilism of the director’s outré oeuvre results in one of the year’s most sublimely ridiculous films.
Supported by
Media Partner
Quentin Dupieux
Gilles Lellouche, Anaïs Demoustier, Oulaya Amamra, Adèle Exarchopoulos, Alain Chabat, Vincent Lacoste, Jean-Pascal Zadi
France
2022
In French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Turner & Constable
Filmed as a supplement to a blockbuster exhibition at Tate Britain happening right now, this doc in the popular Exhibition on Screen series allows us to view these competitive, complementary English landscape artists side by side.
E.T. the Extra-Terrestrial
One of only a handful of live action children's films to capture the imaginations of generations, E.T. has a luminous warmth; it's a suburban symphony of emotion, and it's fascinating to revisit it in the light of The Fabelmans.
The President's Cake
Nine year old Lamia and her friend Saeed venture into the city to scrounge ingredients for a cake to celebrate Sadaam Hussein's birthday — a quest fraught with real peril in precarious times. Winner, Camera d'Or, Cannes.
Antonia's Line
This month's Pantheon selection spotlights the first woman to win the Academy Award for Best Foreign Language Film, the Dutch feminist filmmaker Marleen Gorris, and her charming, vibrant tale of an emancipated farmer who refuses to conform.
Credits
Producer
Hugo Sélignac
Screenwriter
Quentin Dupieux
Cinematography
Quentin Dupieux
Editor
Quentin Dupieux
Production Design
Joan Le Boru
Original Music
Quentin Dupieux