Richly erotic and deeply moving, Maryam Touzani’s film takes us to urban Morocco and into the lives of three beautiful souls. Halim (Saleh Bakri) is a master tailor; Mina (Lubna Azabal) is his loyal wife; Youssef (Ayoub Missioui) is the man who slowly comes between them. It all looks innocent enough at first: Halim hires Youssef as his apprentice, seemingly impressed by the younger man’s skill and dedication. It soon becomes clear, however, that Halim hides a queer sexuality, and that he deeply desires his new employee.
Shot in subdued shadow and colour by Virginie Surdej, The Blue Caftan is work of palpable sensuality. Every act, from the peeling of tangerines to the gestures of human intimacy, registers like the touch of satin on skin: soft, smooth, deeply tender. Touzani’s direction is subtle and assured, and she creates human portraits that are as powerful in their physicality as they are relatable in their psychology. This is a loving, gently radiant film—a triumph of sympathetic imagination.
FIPRESCI Prize, Cannes (Un Certain Regard) 2022
Supported by
Community Partner
Lubna Azabal, Saleh Bakri, Ayoub Missioui
Morocco/France/Belgium/Denmark
2022
In Arabic with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Lessons of Darkness
Werner Herzog's unforgettable documentary reveals the unfolding disaster of the Kuwaitian oil fields in flames in 1991 as a sweeping inferno of mesmerizing power.
Beau Travail
Inspired by Herman Melville's Billy Budd, Claire Denis' transfixing Beau Travail is set in East Africa. Sgt Galoup (Denis Lavant) reflects on his time in the French Foreign Legion, and the impact of the handsome Sentain (Gregoire Colin).
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
The Blair Witch Project
The rushes of a student-made documentary investigating the legend of the Blair Witch in Burkittsville, Maryland, a quest that led the three filmmakers deep into the Appallachian woods. Easy to get lost in there...
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Credits
Producer
Nabil Ayouch
Screenwriter
Maryam Touzani, Nabil Ayouch
Cinematography
Virginie Surdej
Editor
Nicolas Rumpl
Director
Maryam Touzani
Morocco native Maryam Touzani’s award-winning short films When They Slept (2012), and Aya Goes to the Beach (2015) screened at many international festivals. She co-wrote Razzia (2017), which premiered at TIFF and represented Morocco at the Academy Awards. She also played the part of Salima, one of the film’s main characters. Touzani has been featured twice at Cannes’ Un Certain Regard category: first in 2019 for her feature directing debut, Adam (2019), which obtained 30 awards around the world, and this year for The Blue Caftan.
Filmography: Adam (2019)