North American Premiere
An astonishing documentary about the elusive and provocative African-American artist David Hammons, The Melt Goes On Forever chronicles the legendary artist’s incredible body of work, from his body prints in the 1960s, to found object sculptures, to cheeky installations in upper crust galleries, which overtly mock the elite art world and critique the capitalist and arbitrary notions of value in art.
Hammons’ work is often blistering, firmly rooted in questioning the dominant culture and exposing racial injustice, and exploring the space that Black people hold in America. Hammons is notoriously private, and this conflict between his personal reticence and worldwide attention is fascinating to watch. The film reveals the tension between insiders and outsiders in art, and explores the fickleness and push-pull antics of the established art world. Using archival footage, interviews with artists, curators, and critics, alongside animation, this film is a remarkable record of the work of an artist who constantly defies the establishment and remains subversive at every turn.
Q&A Sept 30 & Oct 2
Presented by
Series Media Partner
Media Partner
USA/Canada
2022
English
Book Tickets
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Agent of Happiness
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Bird
In Andrea Arnold's latest, 12-year-old Bailey (Nykiya Adams) lives in a squat near the English seaside. Neglected by her chaotic father (Barry Keoghan), she pursues an adventure with a magnetic stranger named Bird (Franz Rogowski).
Arthur Erickson: Beauty Between the Lines
This new documentary offers the most complete account so far of the life and work of Canada's greatest architect, the man responsible for several of the finest buildings in Vancouver -- including the Museum of Anthropology and the SFU Campus.
Feven Kidane Quartet: Music Inspired by the Film Soundtrack to a Coup D'Etat + Film Screening
Trumpeter Feven Kidane, with Quincy Mayes on keys, Bernie Arai on drums, and Milo Johnson on bass, present a special set of original music inspired by Johan Grimonprez's brilliant essay film on the assassination of Patrice Lumumba, Jazz, and the Cold War.
Ghost Cat Anzu
When fifth grader Karin is deposited with her grandfather for the summer she takes out her unhappiness on his giant talking cat, Anzu -- who looks out for her even so. This wildly original anime riffs on Spirited Away with pleasing irreverence. Rated: PG.
Credits
Executive Producer
Lisa Cortés, Rea David Tully
Producer
Judd Tully
Screenwriter
Harold Crooks
Cinematography
John Russell Foster, Christina Wairegi
ANIM
Tynesha Foreman
Editor
Louis-Martin Paradis
Original Music
Ramachandra Borcar
Directors
Photo by Anthony Sherin
Judd Tully
Judd Tully’s career in journalism began with the 1970s underground paper The Berkeley Barb, where he covered the politically-charged trials of the Soledad Brothers, George Jackson, and Angela Davis in San Francisco and Marin County. For over two decades, he was Editor-at-Large of Art & Auction Magazine. His journalism and art criticism has appeared in Flash Art, ARTnews, Washington Post, San Francisco Chronicle, and The Art Newspaper, as well as his blog juddtully.net.
Photo by Medrie Macphee
Harold Crooks
Harold Crooks’ The Price We Pay premiered at the Toronto International Film Festival, was voted Best Canadian Documentary in 2014 by the Vancouver Film Critics Circle, and was a New York Times Critic’s Pick. He co-directed Surviving Progress (2011), which premiered at TIFF and was screened at Copenhagen International Documentary Film Festival (CPH:DOX) and International Documentary Film Festival Amsterdam. His film writing credits include The Gig Is Up (2021), and Sundance and TIFF Audience Award winner The Corporation (2003), whose narration he co-wrote with director Mark Achbar.
Filmography: Surviving Progress (2011); The Price We Pay (2014)