North American Premiere
An astonishing documentary about the elusive and provocative African-American artist David Hammons, The Melt Goes On Forever chronicles the legendary artist’s incredible body of work, from his body prints in the 1960s, to found object sculptures, to cheeky installations in upper crust galleries, which overtly mock the elite art world and critique the capitalist and arbitrary notions of value in art.
Hammons’ work is often blistering, firmly rooted in questioning the dominant culture and exposing racial injustice, and exploring the space that Black people hold in America. Hammons is notoriously private, and this conflict between his personal reticence and worldwide attention is fascinating to watch. The film reveals the tension between insiders and outsiders in art, and explores the fickleness and push-pull antics of the established art world. Using archival footage, interviews with artists, curators, and critics, alongside animation, this film is a remarkable record of the work of an artist who constantly defies the establishment and remains subversive at every turn.
Q&A Sept 30 & Oct 2
Presented by
Series Media Partner
Media Partner
USA/Canada
2022
English
Book Tickets
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Orwell: 2+2=5
Oscar-nominated director Raoul Peck reimagines 1984 in this urgent essay on power, language, and control. With narration by Damian Lewis, it’s a chilling portrait of how Orwell’s warnings became our reality.
Cover-Up
Oscar-winner Laura Poitras and Emmy-winner Mark Obenhaus turn their lens on legendary journalist Seymour Hersh in a riveting film that unpacks how one reporter exposed the truths behind My Lai and Abu Ghraib — and what it takes to hold power to account.
Image: © The New York Times
The Baltimorons
An early Xmas present and the rom-com of the year: a dental emergency on Christmas Eve brings together flailing comedian Chris and cynical divorcee Didi for a series of low-key urban misadventures.
Credits
Executive Producer
Lisa Cortés, Rea David Tully
Producer
Judd Tully
Screenwriter
Harold Crooks
Cinematography
John Russell Foster, Christina Wairegi
ANIM
Tynesha Foreman
Editor
Louis-Martin Paradis
Original Music
Ramachandra Borcar
Directors
Photo by Anthony Sherin
Judd Tully
Judd Tully’s career in journalism began with the 1970s underground paper The Berkeley Barb, where he covered the politically-charged trials of the Soledad Brothers, George Jackson, and Angela Davis in San Francisco and Marin County. For over two decades, he was Editor-at-Large of Art & Auction Magazine. His journalism and art criticism has appeared in Flash Art, ARTnews, Washington Post, San Francisco Chronicle, and The Art Newspaper, as well as his blog juddtully.net.
Photo by Medrie Macphee
Harold Crooks
Harold Crooks’ The Price We Pay premiered at the Toronto International Film Festival, was voted Best Canadian Documentary in 2014 by the Vancouver Film Critics Circle, and was a New York Times Critic’s Pick. He co-directed Surviving Progress (2011), which premiered at TIFF and was screened at Copenhagen International Documentary Film Festival (CPH:DOX) and International Documentary Film Festival Amsterdam. His film writing credits include The Gig Is Up (2021), and Sundance and TIFF Audience Award winner The Corporation (2003), whose narration he co-wrote with director Mark Achbar.
Filmography: Surviving Progress (2011); The Price We Pay (2014)