North American Premiere
A 25-year-old gay man returns to his hometown in China after film school, and reflects how his coming out as gay affected (and continues to affect) his mother. Beautifully shot on 8mm and 16mm in a modernized Jonas Mekas-like personal diary style, Shuli Huang takes his time to craft mini-visual poems and a sense of place before addressing the heart of his work via voice over essayistic thoughts and revealing conversations with his mother. The tension between societal norms and individuals is obvious, but Huang also takes care to grant his parents personhood, documenting their little habits so that they become a subtext of the film as well. It’s a moving, brilliant film made by a man searching for hope and meaning in life, while wishing he and his mother could love each other as the other wishes.
Media Partner
Community Partner
Yunxue Yu, Kangmin Huang, Shuli Huang
China
2022
In Mandarin with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
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Wisdom of Happiness
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Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Credits
Producer
Shuli Huang
Screenwriter
Shuli Huang
Cinematography
Shuli Huang
Editor
Yang Yang, Shuli Huang
Original Music
Nicolas Verheaghe
Director
Shuli Huang
Shuli Huang is a writer, director, and cinematographer born in Wenzhou, China. After graduating from Beijing Film Academy in 2019, he moved to New York City as an MFA candidate for NYU’s film program. Farewell, My Hometown (2021), his feature debut as a cinematographer, won the New Currents Award at the 26th Busan International Film Festival. His second short film, Will You Look At Me (2022), was selected for Cannes’ La Semaine de la Critique.