
Sarah Polley’s riveting adaptation of Miriam Toews’ novel catapults her to the forefront of North American filmmakers. This is the strongest and most compelling movie to come out of the #MeToo movement to date. The subject matter is unquestionably daunting, but the treatment is impassioned and fierce—and, often, also, desperately funny.
Some background: Toews grew up in a Mennonite community in Manitoba. Her 2018 novel was a response to a horrific news story exposing the systemic abuse of more than 130 women who were repeatedly drugged and raped in a Mennonite colony in Bolivia between the years 2005-09. Polley (who also wrote the screenplay) doesn’t shy away from the challenge of the title: as in the book, the action here centres on a secret meeting eight women hold in a hayloft as they come to terms with the revelation that they were not assaulted by “demons,” but by their supposed “protectors,”the husbands and fathers at the heart of their enclosed community. The stellar cast (including Oscar nominees Jessie Buckley and Rooney Mara, and Oscar winner Frances McDormand) unearths every shred of human dignity in this nightmarish scenario.
People’s Choice Award’s first runner-up, TIFF 2022
Sarah Polley
Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand
USA
2022
English
Sexual Violence, Graphic Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
Credits
Executive Producer
Brad Pitt, Lyn Lucibelllo Brancatella, Emily Jade Foley
Producer
Dede Gardner, Jeremy Kleiner, Frances McDormand
Screenwriter
Sarah Polley
Cinematography
Luc Montpellier
Editor
Christopher Donaldson, Rosyln Kalloo
Production Design
Peter Cosco
Original Music
Hildur Guðnadóttir