Canadian Premiere
The age-old tribulations of adapting to a new place are explored with freshness and sympathy in this first feature from Kwak Eun-mi, about a defector from North Korea struggling to make a better life for herself in Seoul. Han-young (Sul Lee) has parlayed her ability to speak Chinese into a job as a tour guide, with a cynical remit to persuade her customers to spend lavishly on her company’s goods. And, like anyone, she needs the money, to aid her family, and just to get by. But she’s seen as an outsider by South Koreans and treated with suspicion, and in her own experience, there’s little she can rely on. The original Korean title translates as “Someone you can trust”, and trust is in short supply here, save for the compassionate, careful eye which Kwak brings to bear on the proceedings. This is a gentle, low-key movie with a wonderful performance from Sul Lee as the shy, determined Han-young at its centre.
Best Actor, Jeonju 2023
October 2 & 4: Q&A with director Eun-mi Kwak
Lee Sul, Oh Gyeung-hwa, Park Se-hyun
South Korea
2023
Panorama
In Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Keun-shik Joh
Screenwriter
Eun-mi Kwak
Cinematography
Young-ki Choi
Editor
Hyun-sook Choi
Production Design
Hye-young Son
Original Music
Soo-yeon Lee
Director
Eun-mi Kwak
After graduating from Kookmin University’s Department of Business Administration, Kwak, Eun-Mi majored in film at the Korean Academy of Film Arts. Beneath The Wheel (2015), her graduation piece, won the Women’s Human Rights Film Festival’s Pium Audience Award. After graduation, she won the Sonjae Award at the Busan International Film Festival and the Blue Dragon Film Award for Short Film with A Hand-Written Poster (2017).
Missing VIFF? Check Out What's Playing at the VIFF Centre
Halloween Live! The Crypt Keepers + The Day of the Beast
Amp up your Halloween with a unique live set of holidays cuts from The Crypt Keepers, followed by Alex de la Iglesias's cult comic horror Day of the Beast, a wild ride about a sinful Catholic priest on the warpath against Satan.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
