With her affluent husband and his oppressive family away on a day trip, Itto (Oumaïma Barid) intends to savour some solitude in their opulent home. But when an ominous meteorological event blows in, all of Morocco is plunged into a state of emergency. Forced to evacuate and thrust from her sheltered privilege, the heavily pregnant Itto witnesses increasingly strange phenomenon. Through her efforts to reunite with her husband on the other side of the Atlas Mountains, this sheltered woman is instead reacquainted with the exhilaration of freedom.
Sofia Alaoui refashions tropes from sci-fi flicks and road movies into a debut that defies ready classification. Meticulously crafted and deeply meditative, the film reflects on faith and class (Itto hails from a lower social rung), while delivering shimmering supernatural spectacle. In charting this alienated woman’s odyssey through an increasingly otherworldly and apocalyptic milieu, it marks the arrival of a unique new voice in international cinema.
Special Jury Award, Sundance 2023
Series Media Partner
Oumaïma Barid, Mehdi Dehbi, Fouad Oughaou
Morocco/France/Qatar
2022
Altered States
In French, Arabic and Berber with English subtitles
At International Village
At The Rio
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Margaux Lorier, Toufik Ayadi, Christophe Barral
Screenwriter
Sofia Alaoui
Cinematography
Noé Bach
Production Design
Hafid Amly
Original Music
Amine Bouhafa
Director
Sofia Alaoui
Sofia Alaoui is a French-Moroccan filmmaker, raised between Morocco and China. Featured as one of Screen Daily’s Arab Stars of Tomorrow, she has credits including the short films So What If the Goats Die (Sundance Film Festival Grand Jury Prize 2020, César Awards Best Short Film 2021), followed by The Lake for 20th Century Fox, broadcast on Hulu. Animalia is her feature debut.
Missing VIFF? Check out what's playing at the VIFF Centre
The Tree of Life
The Tree of Life follows Jack as he reflects on his 1950s Texas childhood and the death of his younger brother. Deeply spiritual and poetic, Malick’s film moves through grief, memory, time, and space. And there are dinosaurs.
Sometimes, I Imagine Them All at a Party
Fourteen years ago, Daniela Magnani Hüller survived an attempted femicide by a schoolmate. Now a filmmaker, she revisits the events surrounding that fateful incident, creating a moving collage of interviews, personal recollections, and archival material.
Image: © Bildersturm
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
The Story of Documentary Film – The 2000s
The Story of Documentary Film – The 2000s enters a decade shaped by 9/11, war, fear, and politics. Through films such as The Cove and Grizzly Man, these chapters trace the documentary medium's encounter with modernity as it begins to unravel.
Image: © Iraq in Fragments, 2006, dir. James Longley, USA, Daylight Factory Typecast-Pictures

