With her affluent husband and his oppressive family away on a day trip, Itto (Oumaïma Barid) intends to savour some solitude in their opulent home. But when an ominous meteorological event blows in, all of Morocco is plunged into a state of emergency. Forced to evacuate and thrust from her sheltered privilege, the heavily pregnant Itto witnesses increasingly strange phenomenon. Through her efforts to reunite with her husband on the other side of the Atlas Mountains, this sheltered woman is instead reacquainted with the exhilaration of freedom.
Sofia Alaoui refashions tropes from sci-fi flicks and road movies into a debut that defies ready classification. Meticulously crafted and deeply meditative, the film reflects on faith and class (Itto hails from a lower social rung), while delivering shimmering supernatural spectacle. In charting this alienated woman’s odyssey through an increasingly otherworldly and apocalyptic milieu, it marks the arrival of a unique new voice in international cinema.
Special Jury Award, Sundance 2023
Series Media Partner
Oumaïma Barid, Mehdi Dehbi, Fouad Oughaou
Morocco/France/Qatar
2022
Altered States
In French, Arabic and Berber with English subtitles
At International Village
At The Rio
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Margaux Lorier, Toufik Ayadi, Christophe Barral
Screenwriter
Sofia Alaoui
Cinematography
Noé Bach
Production Design
Hafid Amly
Original Music
Amine Bouhafa
Director
Sofia Alaoui
Sofia Alaoui is a French-Moroccan filmmaker, raised between Morocco and China. Featured as one of Screen Daily’s Arab Stars of Tomorrow, she has credits including the short films So What If the Goats Die (Sundance Film Festival Grand Jury Prize 2020, César Awards Best Short Film 2021), followed by The Lake for 20th Century Fox, broadcast on Hulu. Animalia is her feature debut.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."

