At the end of the 1960s, high-school sweethearts Wan and Huen leave their little mining town in search of greater opportunities in Taipei, where the vicissitudes of life take their toll on the relationship. The first of Hou’s collaborations with screenwriter Wu Nien-jen (which would also include A City of Sadness and The Puppetmaster), this is a nostalgic love story, beautifully shot by Mark Lee Ping-Bin (In the Mood for Love).
This film was the single biggest inspiration for me in the preparation for Riceboy Sleeps. The stunning cinematography by Ping Bin Lee, a frequent collaborator of Hou Hsiao-hsien, paints a dreamy, nostalgic rural Taiwan that is an absolute marvel to look at. This simple, yet nuanced, love story unfolds often in long, static, uninterrupted scenes with minimal cutting that allows the viewer to observe the lives of these characters as though you are there with them. As a result, when the end credits roll, I find myself missing the characters like I knew them personally.
Anthony Shim
September 29 & October 7: Introduced by Leading Lights guest programmer Anthony Shim
Supported by
Community Partner
Wang Chien-wen, Shu-fen Hsin, Tien-lu Li, Lawrence Ko, Li-yin Yang
Taiwan
1986
Leading Lights
In Taiwanese and Mandarin with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Hsu Hsin Chih,
Screenwriter
T’ien-wen Chu, Nien-Jen Wu
Cinematography
Ping Bin Lee
Editor
Liao Ching-sung
Original Music
Ming-chang Chen, Ching Chun Hsu
Art Director
Lau Chi-Wah
Director
Hou Hsiao-hsien
Born in 1947, in China, Hou Hsiao-hsien grew up in Taiwan. Alongside Edward Yang, Hou would become the most important figure in the New Taiwan Cinema that emerged in the 1980s. His rigorously controlled but deeply evocative films typically favour long, static takes and, taken together, reframe Taiwanese history through the minutiae of everyday relationships. Hou’s last film to date, The Assassin (2015) won the Best Director prize at Cannes and was the Audience Award winner at VIFF that year.
Missing VIFF? Check out what's playing at the VIFF Centre
Miroirs No. 3
Following a car crash that kills her boyfriend, piano student Laura is physically unhurt but emotionally distraught. A local woman takes her in, but she gradually realizes she's in the midst of an eerie, mysterious family situation.
Image: © Schramm Film A4 Kopie
The Things You Kill
Thirty-something professor Ali leads an apparently stable life. But when his ailing mother dies under ambiguous circumstances, he starts to unravel, resulting in an act that shatters our understanding of his person.
The Voice of a Generation Lost
Inspired by the iconic photography of his father, Pulitzer Prize–winning photojournalist Jahangir Razmi, composer Ali Razmi blends Persian classical music, jazz and experimental sounds to reflect on memory, identity and the power of art to bear witness.
Ghost Elephants
Everyone's favourite German adventurer, Werner Herzog goes on the hunt for the largest land mammal on the planet, the fabled "ghost elephant" of the Angolan highlands -- that may, or may not, exist.
Erika Chow + Blue Giant
Revered pianist Hiromi Uehar composed the score for this electrifying jazz anime, about a young man who wants to be the next John Coltrane. Before the film, tenor sax Erika Chow will lead a quartet through selections from the soundtrack.
Image: © 2023 BLUE GIANT Movie project ©2013 Shinichi Ishizuka, Shogakukan