After the extraordinary international success of the Oscar-winning Drive My Car, writer-director Ryusuke Hamaguchi turned away from the noise and quietly made this small-scale independent film, a work of simplicity and grace about a rural community and the developers who want to built a “glamping” retreat in the woods. The protagonist, Takumi, is a taciturn woodsman whose natural authority the developers seek to co-opt… but things don’t quite work out that way. Hamaguchi invests this all-too familiar ecological scenario not with drama, but with a rapt attention to Takumi’s way of life: how he chops wood, forages for mushrooms, or takes the measure of an icy stream. That’s not to suggest that nothing happens — there is conflict; change; tragedy — but rather than declare its intentions the film seeks to embody the patient virtues of living in harmony with nature, invites us to absorb them, and reflect.
Grand Jury Prize, Venice 2023
Community Partner
Hitoshi Omika, Ryo Nishikawa, Ryuji Kosaka, Ayaka Shibutani, Hazuki Kikuchi
Japan
2023
Showcase
In Japanese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Satoshi Takata
Screenwriter
Ryusuke Hamaguchi
Cinematography
Yoshio Kitagawa
Editor
Ryusuke Hamaguchi, Azusa Yamazaki
Production Design
Masato Nunobe
Original Music
Eiko Ishibashi
Director
Ryûsuke Hamaguchi
Ryusuke Hamaguchi was born in Japan on December 16th, 1978. In 2008, Passion, his master degree graduate work from Tokyo University of Arts, was selected to the San Sebastian International Film Festival and Tokyo Filmex. In 2015, his film Happy Hour premiered at the 68th Locarno International Film Festival and won several awards. In 2021, Wheel of Fortune and Fantasy won the Silver Bear Grand Jury Prize at the 71st Berlinale. At the 74th edition of Cannes, Drive My Car won the Screenplay Prize and 3 independent prizes, including FIPRESCI. The following year it received 4 Academy Award nominations at the 94th Academy Awards, including Best Film, Best Director, Best Adapted Screenplay. It won the Academy Award for Best International Feature Film.
Filmography: Passion (2008); Happy Hour (2015); Asako I&II (2018); Wheel of Fortune and Fantasy (2021); Drive My Car (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Out of Sight
Adapted from Elmore Leonard's novel about the mutual attraction between an escaped bank robber and the FBI agent on his tail, Out of Sight is sexy and romantic, cosmopolitan, and full of Soderbergh's sleight of hand, shuffling time like a card sharp.
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
The Big Lebowski
The Coens' whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back...
Searching for Satyrus
Award-winning filmmaker and photographer Rena Effendi embarks on a quest to track down the very rare Satyrus Effendi, a butterfly discovered by her father in the mountains of Aberbaijain. But what she finds is altogether more personal, and more upsetting.
Naomi Osaka: The Second Set + Q&A
Kat Jayme, a VIFF audience favourite for The Grizzlie Truth, I'm Just Here for the Riot and Finding Big Country is back with another sports doc, a portrait of the Japanese tennis great Naomi Osaka as she returns to the court after becoming a mom.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
