Aki Kaurismäki is a genre unto himself. If you’ve seen Le Havre or The Other Side of Hope then you know what to expect, and if you haven’t, they’re charming, deadpan comedies about working class people, often melancholic or just alcoholic, but goodhearted and kind to dogs (there’s always a dog). In Fallen Leaves, Ansi (Alma Pöysti) meets Holappa (Jussi Vatanen), and these two lonely souls feel they are meant for each other, but Fate seems to have other ideas… From this simple love story, Kaurismäki crafts a poignant and pertinent comedy which picked up the Jury Prize at Cannes.
Jury Prize, Cannes 2023
Actually-funny and not just arthouse-funny […] Fallen Leaves is another of Kaurismäki’s beguiling and delightful cinephile comedies, featuring foot-tapping rock’n’roll. It’s romantic and sweet-natured, in a deadpan style that in no way undermines or ironises the emotions involved and with some sharp things to say about contemporary politics. Fallen Leaves is a film with a big heart, as absurd and cartoony as it may be, it fills you with a feel-good glow.
Peter Bradshaw, The Guardian
Alma Pöysti, Jussi Vatanen, Janne Hyytiäinen, Nuppu Koivu
Finland/Germany
2023
Special Presentations
In Finnish with English subtitles
Alcohol Abuse
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Aki Kaurismäki, Misha Jaari, Mark Lwoff, Reinhard Brundig
Screenwriter
Aki Kaurismäki
Cinematography
Timo Salminen
Editor
Samu Heikkilä
Production Design
Ville Grönroos
Director
Aki Kaurismäki
Along with his brother Mika, Aki Kaurismäki’s output constitutes roughly one fifth of the Finnish film industry’s feature film production since the early 1980s. A former film critic, Kaurismäki found international acclaim for his deadpan, slowburn humanist comedies. Both The Man Without a Past (2002) and Fallen Leaves (2023) won the Grand Jury Prize at Cannes.
Filmography: Shadows in Paradise (1986); Drifting Clouds (1996); The Man Without a Past (2002); Le Havre (2011); The Other Side of Hope (2017)
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The 39 Steps
In our new film studies series, FRAMEWORK, film scholar Michael van den Bos explores the work of Alfred Hitchcock, across four monochrome masterworks. This week: The 39 Steps (1935), a witty and fast-moving spy thriller from Hitchcock's English period.
The Great McGinty
Preston Sturges' first film as writer-director is an omnivorous satire on endemic political corruption, the tale of a tramp who gets his entry into politics by casting 37 votes for mayor at $2 a pop. Eventually he'll be on the ticket himself...
To Be Or Not To Be
Strange but true: one of the greatest comedies of Hollywood's golden era was inspired by Hitler's annexation of Poland in 1938. Jack Benny is the renowned theatre actor whose performance of Hamlet is interrupted by the Germans.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.