In April 2016 Olfa Hamrouni raised the alarm. Her two oldest daughters, Rahma and Ghofrane, both still teenagers, had made their way out of Tunisia to fight for the Islamic State — ISIS — in Libya. Olfa was upset that her children had been allowed to flee the country, and terrified about their fate. This rupture remains the defining tragedy of her life and it’s the subject of this invigorating and inventive hybrid docu-drama from Academy Award-nominee Kaouther Ben Hania (The Man Who Sold His Skin; Beauty and the Dogs).
Not content with interviewing Olfa, Ben Hania casts actresses to play her absent daughters, and leading local star Hend Sabrey also appears as Olfa (and alongside her), while the two younger daughters play themselves in reenactments. All the male parts are performed by the same actor. If this stylized, Brechtian approach sounds ambitious, it is — but this audacious, radical and stimulating movie is like a Catherine Wheel, sending out sparks in all directions.
Golden Eye Documentary Award, Cannes 2023
Gripping… sometimes provocative, sometimes moving, and sometimes, unexpectedly, very funny.
Jessica Kiang, Variety
Community Partner
Eya Chikhaoui, Tayssir Chikhaoui, Olfa Hamrouni, Nour Karoui
Tunisia/France/Germany/Saudi Arabia
2023
Showcase
In Arabic with English subtitles
Sexual Violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Nadim Cheikhrouha
Screenwriter
Kaouther Ben Hania
Cinematography
Farouk Laaridh
Editor
Qutaiba Barhamji
Production Design
Bessem Marzouk
Original Music
Amin Bouhafa
Director
Kaouther Ben Hania
Kaouther Ben Hania studied filmmaking in Tunis and in Paris (La Fémis and the Sorbonne). The Challat of Tunis, her first feature-length film, opened the ACID section at the 2014 Cannes Film Festival and achieved international success on both the festival circuit and cinema screens, where it would be distributed in more than 15 countries. Then, she made Zaineb Hates the Snow, which premiered in 2016 as part of the official selection at the 2016 Locarno Film Festival. Her fiction film Beauty and the Dogs was selected at the 2017 Cannes Film Festival in the Un Certain Regard section. Her last film The Man Who Sold His Skin, was nominated at the 2021 Oscars in the Best International Feature Film category
Filmography: The Challat of Tunis (2014); Zaineb Hates the Snow (2016); Beauty and the Dogs (2017); The Man who Sold His Skin (2021)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.