In April 2016 Olfa Hamrouni raised the alarm. Her two oldest daughters, Rahma and Ghofrane, both still teenagers, had made their way out of Tunisia to fight for the Islamic State — ISIS — in Libya. Olfa was upset that her children had been allowed to flee the country, and terrified about their fate. This rupture remains the defining tragedy of her life and it’s the subject of this invigorating and inventive hybrid docu-drama from Academy Award-nominee Kaouther Ben Hania (The Man Who Sold His Skin; Beauty and the Dogs).
Not content with interviewing Olfa, Ben Hania casts actresses to play her absent daughters, and leading local star Hend Sabrey also appears as Olfa (and alongside her), while the two younger daughters play themselves in reenactments. All the male parts are performed by the same actor. If this stylized, Brechtian approach sounds ambitious, it is — but this audacious, radical and stimulating movie is like a Catherine Wheel, sending out sparks in all directions.
Golden Eye Documentary Award, Cannes 2023
Gripping… sometimes provocative, sometimes moving, and sometimes, unexpectedly, very funny.
Jessica Kiang, Variety
Community Partner
Eya Chikhaoui, Tayssir Chikhaoui, Olfa Hamrouni, Nour Karoui
Tunisia/France/Germany/Saudi Arabia
2023
Showcase
In Arabic with English subtitles
Sexual Violence
Book Tickets
Indigenous & Community Access
Credits
Producer
Nadim Cheikhrouha
Screenwriter
Kaouther Ben Hania
Cinematography
Farouk Laaridh
Editor
Qutaiba Barhamji
Production Design
Bessem Marzouk
Original Music
Amin Bouhafa
Director
Kaouther Ben Hania
Kaouther Ben Hania studied filmmaking in Tunis and in Paris (La Fémis and the Sorbonne). The Challat of Tunis, her first feature-length film, opened the ACID section at the 2014 Cannes Film Festival and achieved international success on both the festival circuit and cinema screens, where it would be distributed in more than 15 countries. Then, she made Zaineb Hates the Snow, which premiered in 2016 as part of the official selection at the 2016 Locarno Film Festival. Her fiction film Beauty and the Dogs was selected at the 2017 Cannes Film Festival in the Un Certain Regard section. Her last film The Man Who Sold His Skin, was nominated at the 2021 Oscars in the Best International Feature Film category
Filmography: The Challat of Tunis (2014); Zaineb Hates the Snow (2016); Beauty and the Dogs (2017); The Man who Sold His Skin (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
Porcelain War
In Canada we cannot truly comprehend a scenario in which our country is invaded and civilians compelled to take up arms. Yet for Ukrainians, this is the reality. In Porcelain War, three artists elect to stay and fight -- with cameras, yes, and with guns.
Inay (Mama)
Bold and deeply personal, Inay investigates the emotional and psychological repercussions of Canada's Live-In Caregiver Program, which attracted Filipino women migrant workers who left their children to care for strangers out of economic necessity.
La Cocina
First day at the Grill for undocumented Mexican Estella. The work is unremitting, the melting pot is boiling, and Julia (Rooney Mara) is due to have an abortion -- to the fury of her lover, one of the chefs...
Ernest Cole: Lost and Found
Raoul Peck (I Am Not Your Negro) tells the story of South African photographer Ernest Cole, who captured some of the most vivid and compelling images of the apartheid regime in the 1960s but died in near obscurity in the USA just as Mandela was released.
Obsessed with Light
Nearly a century after her death Loie Fuller is still inspiring artists like Taylor Swift, Shakira, Bill T Jones and William Kentridge. She became world famous as an innovative dancer, combining fabric, lighting effects and movement in revolutionary ways.
