In the lead-up to the secession of South Sudan, Mona (Eiman Yousif), a well-to-do retired singer from the North, becomes complicit in hushing up the murder of a Southerner at the hands of her overtly prejudiced husband (Nazar Gomaa). Guilt-ridden about her role in catalyzing this turn of events, Mona hires the victim’s unknowing widow Julia (Siran Riak) as her live-in maid in a secret bid at making amends. Whilst a complicated friendship blooms between the two women, the threat of discovery looms ever-present.
Winner of the Un Certain Regard Freedom Prize, Mohamed Kordofani’s artfully composed drama made history this year as the first-ever Sudanese feature to play in Cannes. A sensitive and unflinching examination of the fraught relationship between Sudan’s Arab North and non-Arab South, Goodbye Julia weaves a thoroughly engaging tale of deceit and self-revelation, charting its protagonists’ gradual awakening to the social inequities and inherited legacy of racism that would motivate an entire nation to vote almost unanimously for its separation.
Freedom Prize, Un Certain Regard, Cannes 2023
A prizewinner in Cannes’ Un Certain Regard section, Mohamed Kordofani’s well-performed deep cut into Sudan’s recent history unfolds like a morality thriller.
Variety
Media Partner
Eiman Yousif, Siran Riak, Nazar Goma, Ger Duany, Stephanos James Peter
Sudan
2023
Panorama
In Arabic with English subtitles
Graphic Violence, Racial Violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Amjad Abu Alala, Mohamed Omda, Ali Alarabi
Screenwriter
Mohamed Kordofani
Cinematography
Pierre de Villiers
Editor
Heba Othman
Production Design
Issa Kandil
Original Music
Mazin Hamid
Director
Mohamed Kordofani
Mohamed Kordofani is a Sudanese filmmaker. His debut feature film, Goodbye Julia, won the Freedom Prize after its International Premiere at the Cannes International Film Festival. For his other works, he has also won the NAAS Award for best Arab film at Carthage Film Festival (JCC), The Jury Award at Oran International Arab Film Festival and The Arnone-Belavite Peligrini Award at FCAAA in Milan.
Missing VIFF? Check out what's playing at the VIFF Centre
Afternoons of Solitude
Pacification director Albert Serra turns his unflinching gaze on the subject of bullfighting, and in particular the famous young matador Andrés Roca Rey. The film challenges us to look its subject square in the eye and draw our own conclusions.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
8
The always stylish, idiosyncratic Basque auteur Julio Medem is back with one of his most ambitious films (and our closing night gala), a sweeping historical romance in eight chapters, spanning eight decades in Spanish history from the 1930s to the present day.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
