This is an emotionally charged, deeply troubling drama about the struggles of families displaced by war to resettle in the safety of Western Europe. Arriving by land over the Polish border from Belarus, they should by rights be able to claim asylum and be placed in a detention center until the merits of their case are heard. Instead, they are rounded up and dumped back on the eastern side of the barbed wire fence with as much brutality as the guards can muster. And then the game begins again. Veteran Agnieszka Holland — whose prolific career runs the gamut from The Secret Garden to In Darkness and episodes of The Wire and House of Cards — approaches the story from several different vantage points, including the refugees’ perspective and the guards’, but you will never doubt where her moral conscience lies. Shot in stark black and white, this is utterly compelling cinema; a timely, vehement denunciation of resurgent fascism and the quiescence which enables it.
Special Jury Prize, Venice 2023
Community Partner
Jalal Altawil, Maja Ostaszewska, Tomasz Włosok, Behi Djanati Atai, Mohamad Al Rashi, Dalia Naous
Poland/Czech Republic/France/Belgium
2023
Showcase
In Polish, English and Arabic with English subtitles
Violence, Depictions of Racism
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Mike Downey, Jeff Field
Producer
Fred Bernstein, Agnieszka Holland, Marcin Wierzchoslawski
Screenwriter
Agnieszka Holland, Gabriela Lazarkiewicz-Sieczko, Maciej Pisuk
Cinematography
Tomasz Naumiuk
Original Music
Frederic Vercheval
Director
Agnieszka Holland
Agnieszka Holland is a three-time US Academy Award nominee (for Angry Harvest; Europa, Europa and In Darkness). She directed her first feature, Provincial Actors, in 1978. Since the 1990s she has worked regularly in the United States on films like Total Eclipse, Copying Beethoven and Mr Jones, and on TV series like The Wire, House of Cards, The Killing and Treme.
Filmography: Europa, Europa (1990); The Secret Garden (1993); Washington Square (1997); In Darkness (2011); Charlatan (2020)
Missing VIFF? Check out what's playing at the VIFF Centre
Cookie Queens
A documentary about the annual Girl Scouts' cookie sale is probably not high on your list of must-sees, but don't be too sure — this movie is a delight, a rare celebration of girlhood, supportive family relations, and the art of salesmanship.
A Simple Machine
Cutting costs, swapping four wheels for two, Nick is downsizing to pay off his student debt. It's a path which leads to savings he had not anticipated, even if his girlfriend thinks he's losing it (and she may be right). A lean, low budget gem.
Jackie Brown
Take half a dozen characters who know they're in a fix, and give them half a million dollars to fight over. Tarantino's crime movie (his best) transcends genre in large part because in Pam Grier and Robert Forster it gives us people we truly care about.
Princess Mononoke
A mystical fight between humans and the Animal Gods of the forest. Ashitaka, the last prince of a dying race, struggles to find a way for both sides to co-exist. But the fighting only becomes more and more bloody and all hope seems to be lost…
