In the finest tradition of MAD Magazine, this film uses found footage to shine a most unflattering light on American political culture. Gonzo director duo Soda Jerk employs film, television, and internet clips to tell the story of the US from 2016 to 2021; cleverly combining the material, they create a fictional neighborhood torn apart by political division, wild rhetoric, and loony conspiracies.
From Police Academy to The ‘Burbs, Wayne’s World to Stranger Things, pop culture classics are fused into wacky, wide-ranging satire. The picture Soda Jerk paints is, of course, dismaying, but the political grotesquerie is leavened with a strong dose of stoner humor. The directors have a sharp sense of the bizarre, and their dark-toned facetiousness is perfect for the years portrayed: from Trump vs. Hillary through the pandemic and on to the triumph of “corporate liberalism,” absurdity is the watchword, and what better approach to recent American history could there be?
September 30 & October 2: Q&A with directors Soda Jerk
Media Partner
Community Partner
Australia
2022
Spectrum
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Soda Jerk
Editor
Soda Jerk
Director
Soda Jerk
Soda Jerk is a filmmaking duo with an interest in articulating film samples into a rogue documentary impulse. Forming in Sydney in 2002, the duo has been New York-based since 2012. They have collaborated on projects with cyberfeminist collective VNS Matrix and electronic music group The Avalanches. Their latest feature, Hello Dankness (2023) was nominated for the Panorama Audience Award at Berlin International. The Guardian named the “dizzyingly ambitious satirical work” one of the best Australian movies of the decade.
Filmography: Hollywood Burn (2006); Terror Nullius (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Thieves' Highway
Set in the world of trucking, this unusual but effective drama fuses elements of film noir and neo-realism. It was director Jules Dassin's last American movie before the blacklist forced him into exile in Europe. Intro by Mike Archibald.
Little Amelie or the Character of Rain
Baby Amelie believes herself to be a god. Her parents (Belgian diplomats in 60s Japan) can barely cope -- but find the perfect nanny to restore order in this delightful animated feature.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.