
A gay Toronto musician is sexually assaulted one night and is in a panicked race against time to pay for HIV-preventive PrEP treatment, all the while trying to navigate the legal system and deal with the emotional aftermath of the trauma. I Don’t Know Who You Are is a film that feels at once urgent and frantic but is balanced with a rare sense of interiority and quiet power.
A brilliant character study, the film is remarkably intimate and filled with beautifully subtle moments in which we simply exist with Benjamin (co-writer and artist Mark Clennon, in a remarkable and sensitive performance) as he ekes out a living as an artist in the city. Inspired by his own personal experience, first time feature director M. H. Murray has created a striking and compelling film about the reverberations of sexual violence, and one that feels authentic and true. An important film and a must watch.
Presented by
Series Media Partner
Community Partner
Mark Clennon
Canada
2023
Northern Lights
English
Sexual Violence, Graphic Violence, Gender or Sexual Discrimination
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Martine Brouillet
Producer
M. H. Murray, Victoria Long, Mark Clennon
Screenwriter
M. H. Murray
Cinematography
Dmitry Lopatin
Editor
M. H. Murray
Director

M. H. Murray
M. H. Murray is a Canadian filmmaker. He began making short films in high school and became known for his work on the award-winning web series, Teenagers, which he wrote, directed, and edited while in film school at York University. The series ran for three seasons and has amassed more than 15 million views online. His latest short film, Ghost, which marked his first collaboration with actor Mark Clennon, screened at film festivals internationally, including at Inside Out 2020 and SIFF 2021. His second feature film as a writer and director, titled Son of Sara, goes to camera later this year.
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."