North American Premiere
Zoljargal Purevdash’s lively feature made a splash at this year’s Cannes, where it screened in the Un Certain Regard program and announced the arrival of a refreshing new voice in world cinema. Set in the Mongolian capital of Ulaanbaatar, If Only I Could Hibernate tells a story of perseverance and courage. Batsooj Uurtsaikh plays Ulzii, a teen with a gift for physics who is encouraged to enter a national competition. The payoff for victory is sweet: a full-ride university scholarship and, eventually, the chance for Ulzii to lift his family out of crushing poverty.
Handsomely shot in ’Scope, Purevdash’s film unfolds in the classroom, the ice-cold outdoors, and the lateral confines of the family yurt. As usual for teen-centred films, the home is a place of bitter struggle; once Ulzii’s alcoholic mother (Ganchimeg Sandagdordorj) departs, that struggle is for basic subsistence. Amid the scramble for coal, medicine, and food, the protagonist has to master physics— a tall order indeed, but it makes for richly compelling cinema.
Battsooj Uurtsaikh, Nominjiguur Tsend, Tuguldur Batsaikhan, Batmandakh Batchuluun, Ganchimeg Sandagdorj
Mongolia/France/
Switzerland/Qatar
2023
Panorama
In Mongolian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Frédéric Corvez, Maéva Savinien, Zoljargal Purevdash
Screenwriter
Zoljargal Purevdash
Cinematography
Davaanyam Delgerjargal
Editor
Alexandra Strauss
Production Design
Binderiya Munkhbat
Original Music
Johanni Curtet
Director
Zoljargal Purevdash
Zoljargal Purevdash is a Mongolian filmmaker who studied filmmaking at the University of Obirin, in Japan. Her short films were screened at Tampere Film Festival, Short Shorts Film Festival Asia, Open Doors Locarno Film Festival, etc. In 2021, her short film Stairs won the first prize at the Chicago International Children’s Film Festival and entered the 94th Oscars Award. She is an alumnus of Talents Tokyo, Asian Film Academy, Locarno Open Doors, Torino Film Lab, and Berlinale Talents.
Missing VIFF? Check out what's playing at the VIFF Centre
Short Forum 2: Anthropomaxx
Dogs, frogs, hogs, and more!
The Liberation
Haunted by her past, Rita (a magnificent Carrie Coon) is lured to an all-female commune by a magnetic, manipulative spiritual leader (Lily James). An unsettling yet deeply empathetic exploration of personal freedom, devotion, and control.
Image: © Bleecker Street
Tender Loving Care
Mike Leigh’s film depicts the lives of Amy and Rosie, best friends and fellow social workers, who care for the dispossessed with all the strength they have. Sometimes it's funny, tragic, and often it's balancing both, this is a work of humble compassion.
The Story of Documentary Film – The 2010s & 2020s
In The Story of Documentary Film – The 2010s & 2020s, Mark Cousins follows nonfiction into phones, GoPros, YouTube, TikTok, live streams, and feeds to look at bodily autonomy, surveillance, racism, borders, and truth after vérité.
Image: © Fire of Love, 2022, dir. Sara Dosa, Canada, USA, Sandbox Films, Cottage M, Intuitive Pictures, National Geographic Documentary Films
A Girl Unknown
In this tender, compassionate drama, we see the hardships endured by a young girl adopted in the early 1980s during China’s one-child policy. As a teenager in the 90s, she’s still fighting to find a sense of belonging and assert her worth.
Concrete Land
Filmed over eight years, Concrete Land follows the Najar family, one of Jordan’s last Afro-Palestinian-Bedouin families, as luxury villas close in on their grazing space outside Amman. Asmahan Bkerat preserves their way of life in the face of erasure.