On June 15, 2011, we witnessed Vancouverites’ capacity for anarchy. Hours after the Vancouver Canucks lost Game 7 of the Stanley Cup Final, there was panic in the streets, shattered glass on the sidewalks, and smoke and pepper spray in the air as rioters left police cars ablaze and laid waste to blocks of downtown. As thousands of smartphone photos were posted online in the wake of the mayhem, social media platforms became the equivalent of old-fashioned “Wanted” posters. It turned out that concerned citizens’ handheld devices had unwittingly turned them into Big Brother.
In this absorbing documentary, Kathleen S. Jayme (The Grizzlie Truth) and Asia Youngman revisit the events of that chaotic night through interviews with the likes of Roberto Luongo, Jon Ronson, and Alexandra Samuel, and track down several of the then-young offenders who became the poster children for the riots and paid mightily for their misdeeds. In doing so, they make the compelling argument that mob mentalities flourish as readily and destructively online as they do in the streets.
October 2 & 5: Q&A with directors Kathleen S. Jayme & Asia Youngman & crew
Canada
2023
Special Presentations
English
Coarse Language, Violence, Nudity
Book Tickets
Indigenous & Community Access
Credits
Executive Producer
Asia Youngman, Kathleen S. Jayme, Marsha Cooke, John Dahl, Rob King, Brian Lockhart, Burke Magnus
Producer
Michael Tanko Grand, James Brown, Gentry Kirby, Mike Johnston
Cinematography
Kaayla Whachell
Editor
Greg Ng, Katie Chipperfield
Production Design
Ryan MacInnes
Original Music
Taylor Swindells, Jordan Klassen
Art Director
Matt Carson
Directors
Kathleen S. Jayme
Kathleen Jayme is an award-winning Filipina-Canadian filmmaker. Her short Finding Big Country won the Audience Award at VIFF (2018), as did her first feature film The Grizzlie Truth (winner of the 2019 TIFF Pitch This! Competition) three years later. Her sophomore feature (co-directed with Asia Youngman), I’m Just Here for the Riot, is an ESPN 30/30 that had its World Premiere at Hot Docs 2023. Kathleen has gone on to direct for the NBA, CBC, NFB, and ESPN.
Filmography: Finding Big Country (2018); The Grizzlie Truth (2022)
Asia Youngman
Asia Youngman is an award-winning Indigenous filmmaker from Vancouver, Canada. Some of her previous short films include This Ink Runs Deep (2019) and N’xaatikw (2022) which both premiered at the Toronto International Film Festival. Her first feature-length documentary I’m Just Here For The Riot (2023) is part of ESPN’s acclaimed 30 for 30 series.
Missing VIFF? Check out what's playing at the VIFF Centre
The Teacher
In this potent thriller, English teacher Basem witnesses the murder of a teenager by a Israeli settler. While the subsequent investigation rolls slowly towards a foregone conclusion, the teacher is caught up in a parallel kidnapping case...
Bob Trevino Likes It
When her toxic, narcissistic dad cuts her out of his life, Lily Trevino looks him up on Facebook and happens across his namesake, Bob (John Leguizamo), a gentle, genial contractor who lives nearby, and who proves an altogether better dad...
The Encampments
When pro-Palestine protests took hold of Columbia last year, the filmmakers were there from the beginning. This documentary charts the mounting tensions between students and the administration, as the protests were picked up across North America.
Shepherds
Mathyas quits his marketing job in Montreal and goes to France with the romantic notion of becoming a shepherd. He's in for a rude awakening... Based on a true story, Deraspe's stirring film plays spiritual uplift off against some 3000 sheep and a donkey.
Our Lady of the Nile
Veronica and Virginia are inseparable friends at an elite Catholic boarding school, Our Lady of the Nile, but what binds them together is the very thing that separates them forever. We are in Rwanda, 1973, and tribal tensions are simmering ominously.
Faces
Ten years after his landmark debut, Shadows, John Cassavetes returned to the indie model, self-financing this wrenching portrait of the sexual mores and miseries of American middle class. Gena Rowlands is luminous as Jeannie, the film's emotional barometer.