Park Chan-wook was among the first Korean filmmakers to make an impact in the West with Oldboy. But before that, he enjoyed a box office smash at home with this compelling drama from 2000. Gunfire in the demilitarized zone between North and South Korea leaves two North Korean soldiers dead while a South Korean soldier flees to safety. With the peace between the two nations on a knife-edge, Major Sophie Jean must determine what happened.
Before iconic films like Oldboy and his most recent Decision to Leave, Park Chan-wook made this, lesser-known, but equally brilliant film. The story is structured in the form of a whodunnit, but it manages to deliver so much more than a simple murder mystery. The film explores themes of brotherhood, loyalty, nationalism, all within this fascinating and complicated setting. The performances are so nuanced and well-crafted, the direction is masterful, and the climax is as devastating as it is thrilling. If you are a fan of Korean cinema and Park Chan-wook, this is a must-watch.
Anthony Shim
September 30 & October 8: Introduced by Leading Lights guest programmer Anthony Shim
Supported by
Lee Yeong-ae, Lee Byung-hun, Song Kang-ho, Kim Tae-Woo, shin Ha-kyun
South Korea
2000
Leading Lights
In Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Eun Soo Lee, Myeong-chan Park
Screenwriter
Jeong Seong-san
Cinematography
Sung-Bok Kim
Editor
Kim Sang-beom
Original Music
Jun-seok Bang, Jo Yeong-wook
Director
Park Chan-wook
Park Chan-wook has had two films win at Cannes: Oldboy (2003), which won the Grand Prix and Thirst (2009), which won the Jury Prize. His film The Handmaiden (2016) screened in competition at the 69th Cannes Film Festival, and won the BAFTA Award for Best Film Not in the English Language. From his TV series The Little Drummer Girl (2018), which screened on the BBC, to his collaboration with Apple on the short film Life is But a Dream (2022), director Park Chan-wook constructs unique cinematic worlds with his taboo-breaking storytelling, fascinating characters, and sensual visuals.
Filmography: Oldboy (2003); Thirst (2009); The Handmaiden (2016); Decision to Leave (2022)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...