When downtown New York institution Kim’s Video closed its doors in 2008 there was only one question: “What’s happening to the tapes?”. Fifteen years later, that question is still front of mind for filmmakers David Redmon and Ashley Sabin who chronicle David’s odyssey to find out what happened to the 55,000 film collection. Following the trail from New York City to Salemi, Sicily, David begins to uncover a story of corruption, deception, and intrigue, as he plays the role of gumshoe, hot on the trail of the cold case of the video collection that started it all for him.
Bouncing between investigative documentary, film essay and cinephile experiment, the movie slowly unravels a true story stranger than any of the films in the legendary Kim’s Video collection.
Community Partner
USA/UK/France
2023
Spectrum
In English, Italian, Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Mandy Chang, Angela Neillis, Bernie Kay
Producer
Ashley Sabin, David Redmon, Deborah & Dale Smith, Francesco Galavotti, Rebecca Tabasky
Cinematography
David Redmon
Editor
David Redmon, Ashley Sabin
Original Music
Enrico Tilotta, Eric Taxier, Jean-Marc Montera, Jean Francois Pauvros, Matthew Dougherty, Remy aka The Butcher
Directors
David Redmon & Ashley Sabin
David Redmon and Ashley Sabin are a filmmaking duo. Their body of work includes four recent animal ethnography films based in the world of donkeys and funded by the Leverhulme Trust. Sanctuary (2017), Do Donkeys Act? (2017), Choreography (2014), and Herd (2015). David is a former Radcliffe Fellow at Harvard University with a PhD in sociology from the University at Albany, State University of New York.
Ashley is a Fulbright Scholarship recipient, and earned a M.F.A. at Concordia University, Montreal, Quebec, and graduated with high honors in Art History at the Pratt Institute, Brooklyn, New York.
Filmography: Girl Model (2011); Downeast (2012); Kingdom of Animal (2012); Night Labor (2013); Do Donkey’s Act? (2017)
Missing VIFF? Check Out What's Playing at the VIFF Centre
House of Hope
"House of Hope" is the name of a Waldorf elementary school near Jerusalem in the occupied West Bank, founded by Manar and her husband Milad. This documentary follows their efforts to go about their lives before, during, and after the events of October 7.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Day of Wrath
Anna, the young second wife of a well-respected but much older pastor, falls in love with her stepson when he returns to their small seventeenth-century village. Stepping outside the bounds of the village's harsh moral code has disastrous results.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al
Atonement
A former Marine suffering from PTSD seeks a meeting with the Iraqi family to which he did great wrong ten years earlier in the Gulf War. Atonement navigates challenging, politically-charged psychological territory with diligence and sensitivity.
The Sandbox
Borders are the faultlines of the world. Kenya-Jade Pinto's doc examines how modern surveillance technology, bio-metrics and AI are combining to make land and sea borders as impenetrable as air travel, and suggests the unspoken cost is our own humanity.
