When downtown New York institution Kim’s Video closed its doors in 2008 there was only one question: “What’s happening to the tapes?”. Fifteen years later, that question is still front of mind for filmmakers David Redmon and Ashley Sabin who chronicle David’s odyssey to find out what happened to the 55,000 film collection. Following the trail from New York City to Salemi, Sicily, David begins to uncover a story of corruption, deception, and intrigue, as he plays the role of gumshoe, hot on the trail of the cold case of the video collection that started it all for him.
Bouncing between investigative documentary, film essay and cinephile experiment, the movie slowly unravels a true story stranger than any of the films in the legendary Kim’s Video collection.
Community Partner
USA/UK/France
2023
Spectrum
In English, Italian, Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Mandy Chang, Angela Neillis, Bernie Kay
Producer
Ashley Sabin, David Redmon, Deborah & Dale Smith, Francesco Galavotti, Rebecca Tabasky
Cinematography
David Redmon
Editor
David Redmon, Ashley Sabin
Original Music
Enrico Tilotta, Eric Taxier, Jean-Marc Montera, Jean Francois Pauvros, Matthew Dougherty, Remy aka The Butcher
Directors
David Redmon & Ashley Sabin
David Redmon and Ashley Sabin are a filmmaking duo. Their body of work includes four recent animal ethnography films based in the world of donkeys and funded by the Leverhulme Trust. Sanctuary (2017), Do Donkeys Act? (2017), Choreography (2014), and Herd (2015). David is a former Radcliffe Fellow at Harvard University with a PhD in sociology from the University at Albany, State University of New York.
Ashley is a Fulbright Scholarship recipient, and earned a M.F.A. at Concordia University, Montreal, Quebec, and graduated with high honors in Art History at the Pratt Institute, Brooklyn, New York.
Filmography: Girl Model (2011); Downeast (2012); Kingdom of Animal (2012); Night Labor (2013); Do Donkey’s Act? (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.