Alice Rohrwacher’s first feature since the widely acclaimed Happy As Lazzaro five years ago is an exhilaratingly unpredictable, mysterious, rough and tumble tale of a disheveled English tomb raider living on the margins amongst a roisterous group of Italian bohemians: singers, smugglers, peasants and petty thieves. Even in this rum company Arthur (Josh O’Connor) is an odd duck, but he’s at the heart of their operations because he has the gift of divination: he sniffs out ancient Etruscan graves, and with them treasure troves of artifacts buried with the dead. Rohrwacher’s story (she wrote the original screenplay) could be called oblique and whimsical, but her movie is rooted in the rude, earthy tradition of Pasolini, the Tavianis and Roberto Rossellini (whose daughter Isabella has an extended cameo here as the mother of Arthur’s beloved, missing Beniamina); that is to say, it’s a vivid and authentic film of the land and the people who live on it, not to mention those who came before and are buried underneath.
Best Screenplay, Grand Prize of the Jury Cannes 2023
Presented by
Josh O’Connor, Isabella Rossellini, Alba Rohrwacher, Carol Duarte, Vincenzo Nemolato
Italy/France/Switzerland
2023
Special Presentations
In Italian and English with English subtitles
Book Tickets
Indigenous & Community Access
Credits
Executive Producer
Eli Bush, Jeff Deutchman, Alexandra Henochsberg, Alessio Lazzareschi, Manuela Melissano, Pierre-Francois Piet
Producer
Carlo Cresto-Dina
Screenwriter
Alice Rohrwacher
Cinematography
Hélène Louvart
Editor
Nelly Quettier
Production Design
Emita Frigato
Director
Alice Rohrwacher
Alice Rohrwacher was born in Fiesole and studied in Turin and Lisbon. She wrote and played music for the theater before being drawn to cinema, where she began working as a documentary film editor. Her first full-length film, Corpo Celeste (2011) premiered at Cannes in the Quinzaine des Réalisateurs. Her second film, The Wonders (2014) won the Grand Prix at Cannes. She was nominated for an Oscar in the Best Live Action Shorts category for Le pupille (2023).
Filmography: Corpo Celeste (2011); The Wonders (2014); Happy as Lazarro (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.