North American Premiere
This erotically charged drama set in the Swiss Alps stars the utterly captivating Jeanne Balibar (Memoria) as a mature single woman seeking companionship through intimate encounters with men staying at a remote mountain chalet. In a game of seduction well known to the staff, she zeroes in on a gentleman of interest and engages in guarded but pointed small talk in her pursuit of pleasure behind closed doors. She then re-buttons her dress and returns to caring for her disabled son. Until one day she picks someone who plans to stick around.
Maxime Rappaz makes a stunning feature debut reminiscent of the polished works of Tom Ford and Paul Thomas Anderson with this modern take on a classic love story that explores desire at an age rarely depicted on screen. Transitioning from a career in fashion, his background lends itself naturally to a portrait of an enigmatic, meticulously put-together dame full of fiery yearning, while Balibar adds a touch of charm and elegance that will never go out of style.
Presented by
Supported by
Community Partner
Jeanne Balibar, Thomas Sarbacher, Pierre-Antoine Dubey, Véronique Mermoud, Adrien Savigny
Switzerland/France/Belgium
2023
Vanguard
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Gabriela Bussmann, Yan Decoppet,Camile Genaud
Screenwriter
Maxime Rappaz, Marion Vernoux, Florence Seyvos
Cinematography
Benoit Dervaux
Editor
Caroline Detournay
Production Design
Ivan Niclass, Rekha Musale
Original Music
Antoine Bodson
Director
Maxime Rappaz
Born in 1986 in Geneva, Maxime Rappaz worked in the fashion world before turning to cinema. In 2016, he obtained a master’s degree in cinema and screenwriting, he then directed the short film L’été tendresse. His first feature film Laissez-Moi, starring Jeanne Balibar, will be released in 2023. Maxime Rappaz is currently writing his second feature film.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring


