At the intersection of the natural world, technology and the ongoing pursuit of colonization, sits a necessary reflection on worlds, cities, and people, and how they change over time.
This short film program includes the following films:
NYC RGB
Viktoria Schmid, Austria/USA (7 min)
Part of a series of works exploring early colour film processes, Austria’s Viktoria Schmid invites an alternative frame of reference to view America’s most overexposed city.
Slow Shift
Shambhavi Kaul, India/USA (9 min)
The immediacy of time is eerily visible upon Hampi’s fragmented landscape. As its primate inhabitants formulate their familiar yet uncertain surroundings, the UNESCO site endures.
Shadow Does
Laure Prouvost, Belgium/France/Austria (13 min)
A young girl engages in shadow play. A plain white sheet is all that stands between her and her grandmother, to whom she describes an ever-evolving world and everything what has come to pass in a lifetime.
Let’s Talk
Simon Liu, Hong Kong (11 min)
On the 25 year anniversary of Hong Kong’s handover from Great Britain to Mainland China, directives for “a new era” promising stability and prosperity are found on murals and public slogans.
Mother Land
Kantarama Gahigiri, Rwanda/Switzerland (10 min)
Confronting and trenchant, standing tall, an almost supernatural presence atop a mountain of tech waste, plastic and rubbish, she unearths the truths of Africa’s environmental degradation.
This Is Not Here
Charlotte Mungomery, Australia/Peru/Spain (10 min)
Two pedestal fans in dialogue propound a pointed parody of wellness. These ambiguous forms are perceived as objects with meaning, and spin tangential contemplation on the processes, experiences and absurdities of grief.
Square the Circle
Hanna Hovitie, Finland (18 min)
A cyclical comedy, framed within a round edge rather than the screen’s desired square or rectangular aspects. Square the Circle asks, how can one fear the dark, while living in a place consumed by darkness for the better part of the year?
Series Media Partner
Community Partner
Various
Various
2022-2023
MODES
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
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La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.