At the intersection of the natural world, technology and the ongoing pursuit of colonization, sits a necessary reflection on worlds, cities, and people, and how they change over time.
This short film program includes the following films:
NYC RGB
Viktoria Schmid, Austria/USA (7 min)
Part of a series of works exploring early colour film processes, Austria’s Viktoria Schmid invites an alternative frame of reference to view America’s most overexposed city.
Slow Shift
Shambhavi Kaul, India/USA (9 min)
The immediacy of time is eerily visible upon Hampi’s fragmented landscape. As its primate inhabitants formulate their familiar yet uncertain surroundings, the UNESCO site endures.
Shadow Does
Laure Prouvost, Belgium/France/Austria (13 min)
A young girl engages in shadow play. A plain white sheet is all that stands between her and her grandmother, to whom she describes an ever-evolving world and everything what has come to pass in a lifetime.
Let’s Talk
Simon Liu, Hong Kong (11 min)
On the 25 year anniversary of Hong Kong’s handover from Great Britain to Mainland China, directives for “a new era” promising stability and prosperity are found on murals and public slogans.
Mother Land
Kantarama Gahigiri, Rwanda/Switzerland (10 min)
Confronting and trenchant, standing tall, an almost supernatural presence atop a mountain of tech waste, plastic and rubbish, she unearths the truths of Africa’s environmental degradation.
This Is Not Here
Charlotte Mungomery, Australia/Peru/Spain (10 min)
Two pedestal fans in dialogue propound a pointed parody of wellness. These ambiguous forms are perceived as objects with meaning, and spin tangential contemplation on the processes, experiences and absurdities of grief.
Square the Circle
Hanna Hovitie, Finland (18 min)
A cyclical comedy, framed within a round edge rather than the screen’s desired square or rectangular aspects. Square the Circle asks, how can one fear the dark, while living in a place consumed by darkness for the better part of the year?
Series Media Partner
Community Partner
Various
Various
2022-2023
MODES
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check Out What's Playing at the VIFF Centre
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."

