
Questioning the nature of our material world, artists from South Africa, Spain, Iran and Brazil invite conditional realities to ponder memory, history and the length of existence. Witness and wonder, prepare to confront the possible meaning of it all.
This short film program includes the following films:
A Bird Called Memory
Leonardo Martinelli, Brazil/United Kingdom (15 min)
Returning to MODES with his latest lyrical offering, Leonardo Martinelli (Fantasma Neon, VIFF ’21) explores the existential longing and interior world of Lua, a trans woman on a wistful search for a missing bird amidst the streets of Rio de Janeiro.
Mast-del
Maryam Tafakory, Iran/United Kingdom (18 min)
An intimate mid-night moment between two Iranian women, Mast-del explores threat posed to forbidden bodies and desires.
Loving In Between
Jyoti Mistry, South Africa/Austria (19 min)
Repurposed archival footage from the Eye Film Museum, and animation encapsulate a portrait of social norms, religious persuasions, and political interventions that dictate and punctuate how and who we love. Yet, emancipation is found in the erotic.
Aqueronte
Manuel Muñoz Rivas, Spain (27 min)
Passengers settle in for a reflective and contemplative voyage aboard a ferry from one port to another. Destination unknown. The journey seems to expand, as the impending and distant shore is postponed. Observations are sharp, yet the magnitude of space becomes blurred.
Series Media Partner
Community Partner
Various
Various
2023
MODES
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."