Questioning the nature of our material world, artists from South Africa, Spain, Iran and Brazil invite conditional realities to ponder memory, history and the length of existence. Witness and wonder, prepare to confront the possible meaning of it all.
This short film program includes the following films:
A Bird Called Memory
Leonardo Martinelli, Brazil/United Kingdom (15 min)
Returning to MODES with his latest lyrical offering, Leonardo Martinelli (Fantasma Neon, VIFF ’21) explores the existential longing and interior world of Lua, a trans woman on a wistful search for a missing bird amidst the streets of Rio de Janeiro.
Mast-del
Maryam Tafakory, Iran/United Kingdom (18 min)
An intimate mid-night moment between two Iranian women, Mast-del explores threat posed to forbidden bodies and desires.
Loving In Between
Jyoti Mistry, South Africa/Austria (19 min)
Repurposed archival footage from the Eye Film Museum, and animation encapsulate a portrait of social norms, religious persuasions, and political interventions that dictate and punctuate how and who we love. Yet, emancipation is found in the erotic.
Aqueronte
Manuel Muñoz Rivas, Spain (27 min)
Passengers settle in for a reflective and contemplative voyage aboard a ferry from one port to another. Destination unknown. The journey seems to expand, as the impending and distant shore is postponed. Observations are sharp, yet the magnitude of space becomes blurred.
Series Media Partner
Community Partner
Various
Various
2023
MODES
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...