Questioning the nature of our material world, artists from South Africa, Spain, Iran and Brazil invite conditional realities to ponder memory, history and the length of existence. Witness and wonder, prepare to confront the possible meaning of it all.
This short film program includes the following films:
A Bird Called Memory
Leonardo Martinelli, Brazil/United Kingdom (15 min)
Returning to MODES with his latest lyrical offering, Leonardo Martinelli (Fantasma Neon, VIFF ’21) explores the existential longing and interior world of Lua, a trans woman on a wistful search for a missing bird amidst the streets of Rio de Janeiro.
Mast-del
Maryam Tafakory, Iran/United Kingdom (18 min)
An intimate mid-night moment between two Iranian women, Mast-del explores threat posed to forbidden bodies and desires.
Loving In Between
Jyoti Mistry, South Africa/Austria (19 min)
Repurposed archival footage from the Eye Film Museum, and animation encapsulate a portrait of social norms, religious persuasions, and political interventions that dictate and punctuate how and who we love. Yet, emancipation is found in the erotic.
Aqueronte
Manuel Muñoz Rivas, Spain (27 min)
Passengers settle in for a reflective and contemplative voyage aboard a ferry from one port to another. Destination unknown. The journey seems to expand, as the impending and distant shore is postponed. Observations are sharp, yet the magnitude of space becomes blurred.
Series Media Partner
Community Partner
Various
Various
2023
MODES
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
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Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring