Questioning the nature of our material world, artists from South Africa, Spain, Iran and Brazil invite conditional realities to ponder memory, history and the length of existence. Witness and wonder, prepare to confront the possible meaning of it all.
This short film program includes the following films:
A Bird Called Memory
Leonardo Martinelli, Brazil/United Kingdom (15 min)
Returning to MODES with his latest lyrical offering, Leonardo Martinelli (Fantasma Neon, VIFF ’21) explores the existential longing and interior world of Lua, a trans woman on a wistful search for a missing bird amidst the streets of Rio de Janeiro.
Mast-del
Maryam Tafakory, Iran/United Kingdom (18 min)
An intimate mid-night moment between two Iranian women, Mast-del explores threat posed to forbidden bodies and desires.
Loving In Between
Jyoti Mistry, South Africa/Austria (19 min)
Repurposed archival footage from the Eye Film Museum, and animation encapsulate a portrait of social norms, religious persuasions, and political interventions that dictate and punctuate how and who we love. Yet, emancipation is found in the erotic.
Aqueronte
Manuel Muñoz Rivas, Spain (27 min)
Passengers settle in for a reflective and contemplative voyage aboard a ferry from one port to another. Destination unknown. The journey seems to expand, as the impending and distant shore is postponed. Observations are sharp, yet the magnitude of space becomes blurred.
Series Media Partner
Community Partner
Various
Various
2023
MODES
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
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Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.