North American Premiere
Under Iranian law, from elementary school, boys and girls attend school separately. But in kindergarten and preschool there is no gender division. Numb follows a handful of boys and girls in their last year of pre-school as they learn to navigate gender whilst imitating the world of adults through make-believe and childhood games. Roham, the protagonist, is a six-year-old boy whose innocent love for classmate Rana and his curiosity about her shy and reluctant personality unravel dark and horrifying secrets of her life. Amir Toodehroosta beautifully depicts the innocence that exists in childhood, even in a society where religion and pain cast a constant shadow. The filmmaker does not force these issues but allows them to surface through the gaze of this six-year-old boy who tries to make sense of the world and his place in it. The film’s stunning cinematography transports us directly into the world of childhood, as we see things through their lens not only conceptually but technically.
Ayhan Shaygan, Shabnam Dadkhah, Nora Hanifeh Zadeh, Rayan Razmi
Iran
2022
Focus
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Sina Sharbafi
Producer
Amir Toodehroosta
Screenwriter
Amir Toodehroosta
Cinematography
Soroush Alizadeh
Editor
Maysam Samadi Bahrami
Original Music
Fardin Khalatbari
Director
Amir Toodehroosta
Amir Toodehroosta, an Iranian independent artist and filmmaker, was born in 1982 in Iran. He studied filmmaking at IYCS and Theater at Sooreh University. He has made two documentaries and seventeen short films which have been selected and awarded in many festivals. His first feature film Paat was selected for various international festivals including Warsaw and Tokyo. Numb is his second feature.
Filmography: Paat (2013)
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.
