North American Premiere
Under Iranian law, from elementary school, boys and girls attend school separately. But in kindergarten and preschool there is no gender division. Numb follows a handful of boys and girls in their last year of pre-school as they learn to navigate gender whilst imitating the world of adults through make-believe and childhood games. Roham, the protagonist, is a six-year-old boy whose innocent love for classmate Rana and his curiosity about her shy and reluctant personality unravel dark and horrifying secrets of her life. Amir Toodehroosta beautifully depicts the innocence that exists in childhood, even in a society where religion and pain cast a constant shadow. The filmmaker does not force these issues but allows them to surface through the gaze of this six-year-old boy who tries to make sense of the world and his place in it. The film’s stunning cinematography transports us directly into the world of childhood, as we see things through their lens not only conceptually but technically.
Ayhan Shaygan, Shabnam Dadkhah, Nora Hanifeh Zadeh, Rayan Razmi
Iran
2022
Focus
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Sina Sharbafi
Producer
Amir Toodehroosta
Screenwriter
Amir Toodehroosta
Cinematography
Soroush Alizadeh
Editor
Maysam Samadi Bahrami
Original Music
Fardin Khalatbari
Director
Amir Toodehroosta
Amir Toodehroosta, an Iranian independent artist and filmmaker, was born in 1982 in Iran. He studied filmmaking at IYCS and Theater at Sooreh University. He has made two documentaries and seventeen short films which have been selected and awarded in many festivals. His first feature film Paat was selected for various international festivals including Warsaw and Tokyo. Numb is his second feature.
Filmography: Paat (2013)
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
