North American Premiere
Under Iranian law, from elementary school, boys and girls attend school separately. But in kindergarten and preschool there is no gender division. Numb follows a handful of boys and girls in their last year of pre-school as they learn to navigate gender whilst imitating the world of adults through make-believe and childhood games. Roham, the protagonist, is a six-year-old boy whose innocent love for classmate Rana and his curiosity about her shy and reluctant personality unravel dark and horrifying secrets of her life. Amir Toodehroosta beautifully depicts the innocence that exists in childhood, even in a society where religion and pain cast a constant shadow. The filmmaker does not force these issues but allows them to surface through the gaze of this six-year-old boy who tries to make sense of the world and his place in it. The film’s stunning cinematography transports us directly into the world of childhood, as we see things through their lens not only conceptually but technically.
Ayhan Shaygan, Shabnam Dadkhah, Nora Hanifeh Zadeh, Rayan Razmi
Iran
2022
Focus
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Sina Sharbafi
Producer
Amir Toodehroosta
Screenwriter
Amir Toodehroosta
Cinematography
Soroush Alizadeh
Editor
Maysam Samadi Bahrami
Original Music
Fardin Khalatbari
Director
Amir Toodehroosta
Amir Toodehroosta, an Iranian independent artist and filmmaker, was born in 1982 in Iran. He studied filmmaking at IYCS and Theater at Sooreh University. He has made two documentaries and seventeen short films which have been selected and awarded in many festivals. His first feature film Paat was selected for various international festivals including Warsaw and Tokyo. Numb is his second feature.
Filmography: Paat (2013)
Missing VIFF? Check out what's playing at the VIFF Centre
A Cree Approach
Tristin Greyeyes embarks on a deeply personal journey to understand why Cree was not her first language, unraveling the story of her late grandmother, Freda Ahenakew. An intimate tribute and a call to action for the reclamation of language and identity.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Three Colours: Blue
The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.