Ana Cristina Barragán crafts an achingly tender drama about three teenage siblings living with an emotionally stunted mother on a remote island off the coast of Ecuador. Attuned to the rhythms and creatures of the sea, they live by their own rules and conventions, cocooned and deeply mistrustful of the world outside their bubble. But dark secrets loom over the fragile clan and the pull of city life soon becomes impossible to ignore for the eldest, Iris, threatening the particularly close bond with her twin brother Ariel. Octopus Skin unfolds like an ode to a forgotten way of life, luring one into its ethereal depths like a siren. The follow-up to Alba, Ana Cristina’s feature debut and Ecuador’s 2016 Oscar submission, stuns with its soft, lyrical touch and distinct sense of visual texture. However, cushioned in its impeccable mise-en-scène is an emotionally raw and piercing meditation on life on the margins of society, with an especially nuanced take on familial codependency and forms of intimacy.
…astoundingly thought-provoking voyage into the heart of the human condition.
International Cinephile Society
Presented by
Isadora Chávez, Juan Francisco Vinueza, Hazel Powell, Cristina Marchán, Paulet Arévalo
Ecuador
2022
Vanguard
In Spanish with English subtitles
Self Harm
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Oderay Game
Producer
Isabella Parra
Screenwriter
Ana Cristina Barragán
Cinematography
Simón Brauer, Tomás Astudillo
Editor
Mayra Morán, Myrto Karra, Ana Cristina Barragán
Original Music
Pablo Mondragón
Art Director
Alisarine Ducolomb
Director
Ana Cristina Barragán
Ana Cristina Barragan is a screenwriter and director. Alba, her first film, premiered at IFF Rotterdam, won 35 international awards in over 100 festivals. Alba was Ecuador’s representative for the Oscars and Goya and screened at the Moma in NY. Ana directed several short films, including Domingo Violeta, released in Locarno IFF 2010. She is currently in post production on a new feature, Sopor and Bird (2023) part of Locarno´s Open Doors 2022.
Filmography: Alba (2016); Octopus Skin (2022); Sopor and Bird (2023)
Missing VIFF? Check out what's playing at the VIFF Centre
Heysel 85
This harrowing drama recreates the 1985 European Cup Final in Belgium, when rival football fans clashed before a ball had even been kicked. Teodora Mihal's film captures the hubris, incompetence, and politicking that compounded the escalating chaos.
A Girl Unknown
In this tender, compassionate drama, we see the hardships endured by a young girl adopted in the early 1980s during China’s one-child policy. As a teenager in the 90s, she’s still fighting to find a sense of belonging and assert her worth.
First Comes Love: Nakabingwit
An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.
Take Me Home
Liz Sargent’s film stars her sister Anna, who plays a woman quite like her real self: thirty something, cognitively disabled, and utterly vivacious. Exploring one unique family and the hardships it faces, this is a film of deep empathy and subtle beauty.
Image: © Farhad Ahmed Dehlvi
The Diary of a Chambermaid
Radu Jude adapts Octave Mirbeau’s classic (and much-filmed) novel in a uniquely Jude fashion, with our oppressed chambermaid prodded by her smug employers to star in a production of... Diary of a Chambermaid. This is a sly and subversive satire.