Moored on the Seine in central Paris, not far from the city’s main cultural landmarks, is a huge, floating barge known as The Adamant, an institutional psychotherapy day centre where patients are “co-authors of their care.” A sanctuary for adults with mental disorders, the institution is unique in both architecture and approach, offering its visitors a range of counseling, education, and cultural activity, with a special emphasis on art therapy. Indeed, its focus on the latter is such that Nicolas Philibert’s humane documentary at times plays like a paean to outsider art. Winner of the Golden Bear at this year’s Berlinale, the latest from veteran documentarian Nicolas Philibert (Etre et Avoir) offers a compassionate look at the human workings of this singular care-based facility. Less focused on institutional nuts and bolts than on the patients, the film maintains an intimate but respectful distance from its subjects, always allowing them to speak and reveal themselves on their own terms. Tender and perceptive in equal measure, it is a moving testament to the vital importance of human expression.
Golden Bear, Berlin 2023
Series Media Partner
Community Partner
France
2023
Insights
In French with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Miléna Poylo & Gilles Sacuto, Céline Loiseau
Cinematography
Nicolas Philibert
Editor
Janusz Baranek, Nicolas Philibert
Director
Nicolas Philibert
Born in Nancy, France in 1951, Nicolas Philibert studied philosophy and began his film career in the 1970s as assistant director to René Allio, Alain Tanner and Claude Goretta. Between 1985 and 1987, he directed mountaineering and other sports films for television. After making several shorts, he directed his debut feature-length documentary La Ville Louvre in 1990. His portrait of an orangutan, Nénette, screened in the Berlinale Forum in 2010. Since 2002, his films have been presented in over 100 retrospectives and tribute events around the world.
Filmography: In the Land of the Deaf (1993), To Be and To Have (2002), Nenette (2010), Each and Every Moment (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Wisdom of Happiness
An audience with the Dalia Lama, who, at 90, looks back on his life and shares the tenets of Buddhism as a practical guide to surviving the 21st Century with joy and compassion.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Little Amelie or the Character of Rain
Baby Amelie believes herself to be a god. Her parents (Belgian diplomats in 60s Japan) can barely cope -- but find the perfect nanny to restore order in this delightful animated feature.