Backtracking from his suicide as a broken and depressed man, the film recounts the life of Yong-ho, from his tragic demise to his innocent youth, in reverse order. In between, he is a student, a soldier, a police officer and eventually an investor who loses a small fortune in the stock market. The second film by Lee Chang-dong (Burning; Poetry) this 1999 movie is recognized as one of the key texts in contemporary Korean cinema.
Watching this film for the first time at the tender age of 13, I was equally riveted and haunted by the sights and sounds of this complex human drama. I had never seen anyone on-screen or in real life express the types of emotions that are on display in this film. Until that time, I thought movies were simply meant to be a form of entertainment, but this film opened my eyes to the power that cinema can have. The story is told chronologically backwards, tracing the key moments in a troubled man’s life as well as the key moments of the country’s recent history; sort of like Forrest Gump, but NOTHING like Forrest Gump. The lead performance by Sol Kyung-gu is haunting, beautiful, and devastating. This is the single most important and impactful film of my upbringing and I believe is an essential watch for anyone interested in Korea.
Anthony Shim
October 3 & 7: Introduced by Leading Lights guest programmer Anthony Shim
Sol Kyung-gu, Moon So-ri, Kim Yeo-jin, Se-beom Park, Suh Jung
South Korea
1999
Leading Lights
In Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Jae-Young Jeon, Gye-Nnam Myeong, Makoto Ueda
Screenwriter
Lee Chang-dong
Cinematography
Hyung-Gu Kim
Editor
Hyun Kim
Original Music
Jaejin Lee
Art Director
Il-hyun Park
Director
Lee Chang-dong
Lee Chang-Dong became a sensation both in Korea and abroad with his 1997 debut feature Green Fish. Lee Chang-Dong’s first film Green Fish (1997) was a film about space in its depiction of the space of a planned city that replaced farming land. Peppermint Candy is a film about time in its portrayal of a person’s life as seen through both the destructive and redemptive forces of time. Peppermint Candy is his second feature.
Filmography: Green Fish (1997); Oasis (2002); Secret Sunshine (2007); Burning (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
The Skeleton of Mrs Morales
In this delightful black comedy, an avuncular taxidermist (our old amigo Arturo de Córdova) is beloved by many but not his wife (Amparo Rivelles), a religious fanatic who can't bear to be touched. One day she pushes him too far...
The Eyes of Ghana
In his debut feature doc Ben Proudfoot unearths the story — and the images — of Chris Hesse, personal cameraman to Ghana's revolutionary leader, Kwame Nkrumah, who was deposed in a coup in 1966. This is a fascinating history reclaimed from the archives.