
Backtracking from his suicide as a broken and depressed man, the film recounts the life of Yong-ho, from his tragic demise to his innocent youth, in reverse order. In between, he is a student, a soldier, a police officer and eventually an investor who loses a small fortune in the stock market. The second film by Lee Chang-dong (Burning; Poetry) this 1999 movie is recognized as one of the key texts in contemporary Korean cinema.
Watching this film for the first time at the tender age of 13, I was equally riveted and haunted by the sights and sounds of this complex human drama. I had never seen anyone on-screen or in real life express the types of emotions that are on display in this film. Until that time, I thought movies were simply meant to be a form of entertainment, but this film opened my eyes to the power that cinema can have. The story is told chronologically backwards, tracing the key moments in a troubled man’s life as well as the key moments of the country’s recent history; sort of like Forrest Gump, but NOTHING like Forrest Gump. The lead performance by Sol Kyung-gu is haunting, beautiful, and devastating. This is the single most important and impactful film of my upbringing and I believe is an essential watch for anyone interested in Korea.
Anthony Shim
October 3 & 7: Introduced by Leading Lights guest programmer Anthony Shim
Sol Kyung-gu, Moon So-ri, Kim Yeo-jin, Se-beom Park, Suh Jung
South Korea
1999
Leading Lights
In Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Jae-Young Jeon, Gye-Nnam Myeong, Makoto Ueda
Screenwriter
Lee Chang-dong
Cinematography
Hyung-Gu Kim
Editor
Hyun Kim
Original Music
Jaejin Lee
Art Director
Il-hyun Park
Director

Lee Chang-dong
Lee Chang-Dong became a sensation both in Korea and abroad with his 1997 debut feature Green Fish. Lee Chang-Dong’s first film Green Fish (1997) was a film about space in its depiction of the space of a planned city that replaced farming land. Peppermint Candy is a film about time in its portrayal of a person’s life as seen through both the destructive and redemptive forces of time. Peppermint Candy is his second feature.
Filmography: Green Fish (1997); Oasis (2002); Secret Sunshine (2007); Burning (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
Sex
Two chimney sweeps living in heterosexual marriages find their views on sexuality and gender challenged by a series of unexpected events. In a set of sharply scripted conversations, both men confront heretofore unexplored aspects of their identity.
3 Faces
Iranian filmmaker Panahi and actress Behnaz Jafari, both playing themselves, receive a video in which a distraught teenaged girl, whose acting dreams have been quashed appears to kill herself. Panahi and Jafari decide to investigate...
Dreams
The third installment in the Sex/Dreams/Love trilogy is another rich, absorbing tale. 17-year-old Johanne writes a confessional about her flirtation with a (female) teacher. But the writing is too good to stay private...
Transit
Trust the director of Phoenix and Barbara to re-imagine a WWII romantic intrigue into something unsettlingly contemporary. With occupying forces closing in, a German refugee (Franz Rogowski) assumes a dead writer's identity and flees to Marseille.