Backtracking from his suicide as a broken and depressed man, the film recounts the life of Yong-ho, from his tragic demise to his innocent youth, in reverse order. In between, he is a student, a soldier, a police officer and eventually an investor who loses a small fortune in the stock market. The second film by Lee Chang-dong (Burning; Poetry) this 1999 movie is recognized as one of the key texts in contemporary Korean cinema.
Watching this film for the first time at the tender age of 13, I was equally riveted and haunted by the sights and sounds of this complex human drama. I had never seen anyone on-screen or in real life express the types of emotions that are on display in this film. Until that time, I thought movies were simply meant to be a form of entertainment, but this film opened my eyes to the power that cinema can have. The story is told chronologically backwards, tracing the key moments in a troubled man’s life as well as the key moments of the country’s recent history; sort of like Forrest Gump, but NOTHING like Forrest Gump. The lead performance by Sol Kyung-gu is haunting, beautiful, and devastating. This is the single most important and impactful film of my upbringing and I believe is an essential watch for anyone interested in Korea.
Anthony Shim
October 3 & 7: Introduced by Leading Lights guest programmer Anthony Shim
Sol Kyung-gu, Moon So-ri, Kim Yeo-jin, Se-beom Park, Suh Jung
South Korea
1999
Leading Lights
In Korean with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Jae-Young Jeon, Gye-Nnam Myeong, Makoto Ueda
Screenwriter
Lee Chang-dong
Cinematography
Hyung-Gu Kim
Editor
Hyun Kim
Original Music
Jaejin Lee
Art Director
Il-hyun Park
Director
Lee Chang-dong
Lee Chang-Dong became a sensation both in Korea and abroad with his 1997 debut feature Green Fish. Lee Chang-Dong’s first film Green Fish (1997) was a film about space in its depiction of the space of a planned city that replaced farming land. Peppermint Candy is a film about time in its portrayal of a person’s life as seen through both the destructive and redemptive forces of time. Peppermint Candy is his second feature.
Filmography: Green Fish (1997); Oasis (2002); Secret Sunshine (2007); Burning (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
Agatha's Almanac
Shot over six years on vibrant 16mm film, Agatha’s Almanac is an artful documentary portrait of filmmaker Amalie Atkin’s octogenarian aunt, who has fashioned herself an endearingly simple and self-sustaining lifestyle on her Manitoba farm.
Outrageous!
Two misfits find love and support in this cult classic and landmark for Canadian queer cinema. Determined to retain her freedom after being treated for schizophrenia, Liza grows equally committed to seeing Robin realize his potential as a drag performer.
Vancouver Opera Presents: Moulin Rouge!
Paris has never been gayer than in this headlong karaoke culture crash set in a poptastic 19th century Montmartre, where Ewan McGregor composes The Sound of Music and falls over his heels for Nicole Kidman's courtesan, Satine.
Love & Independence
A program of shorts that introduces daring new voices in Canadian cinema. Personal, playful, provocative, and self-financed, these films offer the freedom to express boldly through practices rooted in filmmaking among friends.
