Canadian Premiere
Marcelo Pena is a distinguished professor of philosophy at a university in Buenos Aires. His mentor, the beloved head professor Caselli, has suddenly died, leaving a coveted vacancy. On paper, Marcelo seems like the perfect man to take up the job and carry on Caselli’s legacy. The trouble is that with every passing day Marcelo’s life is becoming messy, humiliating, and tiresome. To make matters worse, there is a new philosopher in town, one trained in Europe who is younger, better-looking, wealthier, and Marcelo’s new arch-nemesis. Puan presents a compelling story of a man equipped with the answers to life’s greatest moral, ethical, and existential quandaries, who is helpless in the face of political, bureaucratic, and social chaos. Co-directed by Maria Alché and Benjamin Naishtat (Rojo), the film wittily questions the pertinence of philosophy in the life of a modern man in the modern world. Like Plato after the death of Socrates, lead actor Marcelo Subiotto convincingly portrays a man who has lost his guiding light.
Supported by
Marcelo Subiotto, Leonardo Sbaraglia, Julieta Zylberberg, Alejandra Flechner, Andrea Frigerio, Mara Bestelli
Argentina/Italy/France/
Germany/Brazil
2023
Panorama
In Spanish with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Bárbara Francisco Mendivil, Barbara Sarasola Day, Federico Eibuszyc
Screenwriter
María Alché, Benjamín Naishtat
Cinematography
Hélène Louvart
Editor
Livia Serpa
Directors
Maria Alché
María Alché is an Argentine director, script writer and actress. She studied Filmmaking at ENERC, where she currently teaches directing actors, and studied Philosophy at the University of Buenos Aires. She directed the short films Noelia, Gulliver, Invierno 3025 and Quién se metió con Mayra?, presented at several international film festivals. She wrote and directed the feature film Familia Sumergida, which won Best Film in Horizontes Latinos at the San Sebastián Film Festival and several other international prizes.
Filmography: A Family Submerged (2018)
Benjamin Naishtat
Benjamín Naishtat studied film in Universidad del Cine, Buenos Aires. He furthermore took part in the Contemporary Arts program of Le Fresnoy, France, and was granted a Radcliffe/Film Studies Center Fellowship from Harvard University. He wrote and directed Rojo (2018) which was selected in Official Competition at the San Sebastián Film Festival, awarded with the Concha de plata for best direction, best cinematography and best actor for Darío Grandinetti. Benjamín wrote and directed El movimiento (2015), Best Argentine film at the Festival de Mar del Plata and the Jury Award-winner at the Valdivia Festival.
Filmography: Historia Del Miedo (2014); El Movimiento / The Movement (2015); Rojo (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Joan Crawford in... Letty Lynton
This would be your first chance to see one of Joan Crawford's prime pre-Code films since 1936, a salacious melodrama about a socialite (Joan Crawford) accused of poisoning her ex lover.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Jack Johnson: Surfilmusic
This new documentary chronicles Jack Johnson's evolution from surfer to filmmaker to world-renowned musician. The film traces how Jack's early years making surf films with close friends became a foundation for a much broader creative life.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
