
Canadian Premiere
Marcelo Pena is a distinguished professor of philosophy at a university in Buenos Aires. His mentor, the beloved head professor Caselli, has suddenly died, leaving a coveted vacancy. On paper, Marcelo seems like the perfect man to take up the job and carry on Caselli’s legacy. The trouble is that with every passing day Marcelo’s life is becoming messy, humiliating, and tiresome. To make matters worse, there is a new philosopher in town, one trained in Europe who is younger, better-looking, wealthier, and Marcelo’s new arch-nemesis. Puan presents a compelling story of a man equipped with the answers to life’s greatest moral, ethical, and existential quandaries, who is helpless in the face of political, bureaucratic, and social chaos. Co-directed by Maria Alché and Benjamin Naishtat (Rojo), the film wittily questions the pertinence of philosophy in the life of a modern man in the modern world. Like Plato after the death of Socrates, lead actor Marcelo Subiotto convincingly portrays a man who has lost his guiding light.
Supported by
Marcelo Subiotto, Leonardo Sbaraglia, Julieta Zylberberg, Alejandra Flechner, Andrea Frigerio, Mara Bestelli
Argentina/Italy/France/
Germany/Brazil
2023
Panorama
In Spanish with English subtitles
Book Tickets
Indigenous & Community Access
Credits
Producer
Bárbara Francisco Mendivil, Barbara Sarasola Day, Federico Eibuszyc
Screenwriter
María Alché, Benjamín Naishtat
Cinematography
Hélène Louvart
Editor
Livia Serpa
Directors

Maria Alché
María Alché is an Argentine director, script writer and actress. She studied Filmmaking at ENERC, where she currently teaches directing actors, and studied Philosophy at the University of Buenos Aires. She directed the short films Noelia, Gulliver, Invierno 3025 and Quién se metió con Mayra?, presented at several international film festivals. She wrote and directed the feature film Familia Sumergida, which won Best Film in Horizontes Latinos at the San Sebastián Film Festival and several other international prizes.
Filmography: A Family Submerged (2018)

Benjamin Naishtat
Benjamín Naishtat studied film in Universidad del Cine, Buenos Aires. He furthermore took part in the Contemporary Arts program of Le Fresnoy, France, and was granted a Radcliffe/Film Studies Center Fellowship from Harvard University. He wrote and directed Rojo (2018) which was selected in Official Competition at the San Sebastián Film Festival, awarded with the Concha de plata for best direction, best cinematography and best actor for Darío Grandinetti. Benjamín wrote and directed El movimiento (2015), Best Argentine film at the Festival de Mar del Plata and the Jury Award-winner at the Valdivia Festival.
Filmography: Historia Del Miedo (2014); El Movimiento / The Movement (2015); Rojo (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
The Teacher
In this potent thriller, English teacher Basem witnesses the murder of a teenager by a Israeli settler. While the subsequent investigation rolls slowly towards a foregone conclusion, the teacher is caught up in a parallel kidnapping case...
Bob Trevino Likes It
When her toxic, narcissistic dad cuts her out of his life, Lily Trevino looks him up on Facebook and happens across his namesake, Bob (John Leguizamo), a gentle, genial contractor who lives nearby, and who proves an altogether better dad...
The Encampments
When pro-Palestine protests took hold of Columbia last year, the filmmakers were there from the beginning. This documentary charts the mounting tensions between students and the administration, as the protests were picked up across North America.
Shepherds
Mathyas quits his marketing job in Montreal and goes to France with the romantic notion of becoming a shepherd. He's in for a rude awakening... Based on a true story, Deraspe's stirring film plays spiritual uplift off against some 3000 sheep and a donkey.
Our Lady of the Nile
Veronica and Virginia are inseparable friends at an elite Catholic boarding school, Our Lady of the Nile, but what binds them together is the very thing that separates them forever. We are in Rwanda, 1973, and tribal tensions are simmering ominously.
Faces
Ten years after his landmark debut, Shadows, John Cassavetes returned to the indie model, self-financing this wrenching portrait of the sexual mores and miseries of American middle class. Gena Rowlands is luminous as Jeannie, the film's emotional barometer.