
Canadian Premiere
Marcelo Pena is a distinguished professor of philosophy at a university in Buenos Aires. His mentor, the beloved head professor Caselli, has suddenly died, leaving a coveted vacancy. On paper, Marcelo seems like the perfect man to take up the job and carry on Caselli’s legacy. The trouble is that with every passing day Marcelo’s life is becoming messy, humiliating, and tiresome. To make matters worse, there is a new philosopher in town, one trained in Europe who is younger, better-looking, wealthier, and Marcelo’s new arch-nemesis. Puan presents a compelling story of a man equipped with the answers to life’s greatest moral, ethical, and existential quandaries, who is helpless in the face of political, bureaucratic, and social chaos. Co-directed by Maria Alché and Benjamin Naishtat (Rojo), the film wittily questions the pertinence of philosophy in the life of a modern man in the modern world. Like Plato after the death of Socrates, lead actor Marcelo Subiotto convincingly portrays a man who has lost his guiding light.
Supported by
Marcelo Subiotto, Leonardo Sbaraglia, Julieta Zylberberg, Alejandra Flechner, Andrea Frigerio, Mara Bestelli
Argentina/Italy/France/
Germany/Brazil
2023
Panorama
In Spanish with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Bárbara Francisco Mendivil, Barbara Sarasola Day, Federico Eibuszyc
Screenwriter
María Alché, Benjamín Naishtat
Cinematography
Hélène Louvart
Editor
Livia Serpa
Directors

Maria Alché
María Alché is an Argentine director, script writer and actress. She studied Filmmaking at ENERC, where she currently teaches directing actors, and studied Philosophy at the University of Buenos Aires. She directed the short films Noelia, Gulliver, Invierno 3025 and Quién se metió con Mayra?, presented at several international film festivals. She wrote and directed the feature film Familia Sumergida, which won Best Film in Horizontes Latinos at the San Sebastián Film Festival and several other international prizes.
Filmography: A Family Submerged (2018)

Benjamin Naishtat
Benjamín Naishtat studied film in Universidad del Cine, Buenos Aires. He furthermore took part in the Contemporary Arts program of Le Fresnoy, France, and was granted a Radcliffe/Film Studies Center Fellowship from Harvard University. He wrote and directed Rojo (2018) which was selected in Official Competition at the San Sebastián Film Festival, awarded with the Concha de plata for best direction, best cinematography and best actor for Darío Grandinetti. Benjamín wrote and directed El movimiento (2015), Best Argentine film at the Festival de Mar del Plata and the Jury Award-winner at the Valdivia Festival.
Filmography: Historia Del Miedo (2014); El Movimiento / The Movement (2015); Rojo (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Samia
Despite growing up in Mogadishu, Somalia, during the civil war, Samia Yusuf Omar persists in her dream of becoming an Olympic athlete and competes in Beijing, 2008 -- with London, 2012 next on her agenda. Based on a true story.
Sudan, Remember Us
A portrait of young artists and activists, Meddeb's doc charts events in Khartoum between 2019 -- in the immediate wake of the revolution that deposed dictator Omar al-Bashir -- and the mood four years later, when the country has been torn apart by civil war.
Margaret
Seventeen-year-old Lisa is rocked with guilt after a woman is killed in a traffic accident. But that’s only one thread in a teeming social tapestry this intense, passionate teen must negotiate as she comes of age in a time of contradiction and confusion.
E.1027 Eileen Gray and the House by the Sea
In this elegant non fiction film, actors play Irish designer Eileen Gray, her lover, the architect Jean Badovici, and modernist superstar Le Corbusier, who would become obsessed with the house on the Cote d'Azur that Eileen designed.
Scarecrow
A bittersweet, touching buddy movie with Gene Hackman as a volatile tramp, Max, and Al Pacino as "Lion", a drifter now set on returning to the wife and kid he abandoned years ago. Hackman's favourite of his own movies.