Steffi Niederzoll delicately and with great care lays out the story of 19-year-old architecture student Reyhaneh Jabbari, who, in 2007, stabbed a man in self-defence after he tried to rape her. Jabbari was then arrested and sentenced to death. During the next seven years of the judicial process, Jabbari’s supporters scramble to save her, revealing the rotten, prejudiced state of Iran’s justice system. Drawing on footage smuggled out of the country, the film includes interviews with Jabbari’s family members and former prison inmates, who bravely criticize Iran’s patriarchal establishment. Both infuriating and heartbreaking, Niederzoll’s film is another reminder of the suffering Iranian women have endured for decades. And of the resilience of those who are still speaking up and sharing their voices and their stories for the world to hear. Seven Winters in Tehran is a compelling true-crime narrative using the facts of the case to call attention to the dissolution of women’s rights in Iran. For those interested in human rights, true-crime, masterful documentaries or cinema that is urgent, compelling and profoundly moving, this is strongly recommended.
Germany/France
2023
Focus
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Melanie Andernach
Producer
Knut Losen
Screenwriter
Steffi Niederzoll
Cinematography
Julia Daschner
Editor
Nicole Kortlüke
Director
Steffi Niederzoll
Steffi Niederzoll was born in Nuremberg in 1981. She studied audiovisual media arts at the Academy of Media Arts Cologne (KHM) and the Escuela de Cine y Television in Cuba (EICTV) from 2001-2007. Her short films have successfully screened at numerous renowned national and international film festivals such as Berlinale. Together with Shole Pakravan, she wrote the book How to Become a Butterfly, which will be published by Berlin Verlag in 2023.
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.