Nine stories from contemporary Iran, where everyone is at the mercy of government and religious authorities… Different settings and circumstances, with characters varying in age, gender, class and status… But all linked by the ubiquitous impact of patriarchy on everyone, including the unborn. In Alireza Khatami and Ali Asgari’s Terrestrial Verses, we see nine encounters between everyday Iranians interrogated by some manner of authority figure. These static vignettes place the audience in the position of the interviewer, the camera subverting the position of the subject and allowing the spectator to examine (and occupy) a point of view that is both uncomfortable and unjust. The film’s title is a reference to the famous Iranian female poet Forough Farrokhzad, who challenged oppression and patriarchy in her personal life and her poetry. Terrestrial Verses is an audacious and beautiful film, especially in the context of the Women Life-Freedom movement, as it portrays the people and situations of everyday life in Iran with humor and masterful cinematography.
Elegant, eloquent and unwavering in its determination to reveal the plight of the individual Iranians it showcases…
AWFJ (Alliance of Women Film Journalists)
September 29 & October 1: Q&A with co-director Alireza Khatami & crew
Media Partner
Bahram Ark, Arghavan Shabani, Servin Zabetian, Sadaf Asgari, Faezeh Rad
Iran
2023
Focus
In Farsi with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Ali Asgari, Milad Khosravi
Screenwriter
Ali Asgari, Alireza Khatami
Cinematography
Adib Sobhani
Editor
Ehsan Vaseghi
Production Design
Hamed Alsani
Original Music
Masoud Fayaz Zadeh
Directors
Ali Asgari
Ali Asgari is a prominent Iranian cinema figure with more than 200 awards to his name. Two of his short films, More Than Two Hours (2013) and The Silence (2016), were nominated for the Palme d’Or at the Festival de Cannes. The Baby was featured in the short film competition at the Venice Film Festival in 2014. Ali’s films focus on the precarious lives of individuals living on the margins of society in Iran. His debut film, Disappearance had its world premiere at Venice in 2017. Until Tomorrow, his second feature film, premiered at the Berlinale in 2022.
Filmography: Disappearance (2017); Until Tomorrow (2022)
Alireza Khatami
Alireza Khatami is an award-winning Iranian-American filmmaker based in Canada. Born into the indigenous Khamse tribe in Iran, he is influenced by his heritage’s rich storytelling traditions. His films poignantly investigate the interconnection of memory, trauma, and power dynamics, often through a philosophical lens and with a dark sense of humor. His debut feature, Oblivion Verses, premiered at the Venice Film Festival, winning three awards, including the Orizzonti Award for Best Screenplay and the FIPRESCI Prize. Alireza also co-wrote Until Tomorrow, which premiered at the Berlinale Film Festival.
Filmography: Oblivion Verses (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
Our Mr. Matsura
Part of the first wave of Japanese immigrants to the United States, Frank Matsura's photographs in Okanogan County created a regional legacy that endures a century later. Our Mr. Matsura is a joyful celebration of life revealed through photography.
Farruquito: a Flamenco Dynasty
Legendary flamenco dancer Farruquito struggles to reconcile his past with his family legacy. Revelling in the artistry of Romani music and dance, Farruquito: A Flamenco Dynasty explores family dynamics and the pursuit of greatness.
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Pocket Mirror
Lonely, isolated, and haunted by the possibility her cat has been replaced with a replica, Maisie’s closest confidant is an AI chatbot. Pocket Mirror is a striking distillation of modern alienation with wry humour and underlying suspense.
Light Pillar
Xu Zao’s mellow, melancholy film follows a bottom-tier employee at a decaying film studio as he gets pulled into an online obsession. Mixing animation with live action, this is a whimsical satire and a lament for the pre-digital world.
Short Forum 4: Immanence: A Life
You don’t have to look far; life is beautiful!