North American Premiere
At the height of the Y2K scare, young Francesco is confronted with some new realities when he attends his friend Enrico’s birthday party at a remote country home.
This short is playing before the feature film Bitten.
Nicola Cannarella, Matthias Tormen, Denis Fasolo, Elia Luciani, Luisa Trigilla
Germany/France/Italy
2023
In Italian with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Cecilia Trautvetter, François-Pierre Clavel
Screenwriter
Francesco Sossai
Cinematography
Giulia Schelhas
Editor
Francesco Sossai
Original Music
Non voglio che Clara
Director
Francesco Sossai
Francesco Sossai was born in the Italian Dolomites area. He started filming short films at an early age. He moved to Rome where he graduated in English and German Literatures. He was then admitted at the DFFB – German Television Film Academy in Berlin. His first feature length film “Altri Cannibali” celebrated its world premiere at PÖFF 2021 where it was awarded as „Best First Feature“. The film subsequently had its Italian premiere at the 39th Torino Film Festival and was screened worldwide in numerous other festivals. Francesco is currently working on his second feature „Le città della pianura“, a coproduction between Italy and France. He lives in Veneto, Italy.
Missing VIFF? Check out what's playing at the VIFF Centre
Film Studies: The Making of a Monster: James Whale's Frankenstein & Universal Horror
Classic film scholar Michael van den Bos dissects and examines director James Whale's highly influential first sound version of Frankenstein, starring Boris Karloff and Colin Clive. After his illustrated lecture we'll watch the movie together.
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Bride of Frankenstein
Funnier, more outrageous, and just as goth as the 1931 hit, this is a black comedy about mad scientists playing god, the monstrous craving for a mate, about the ultimate male-order bride, and her indelible response to being married off to a mouldier man.
Fréwaka
A Dublin nurse is sent to a remote Irish village to care for a reclusive woman. Haunted by a dark past, her night terrors invade her reality. Aislinn Clarke delivers a chilling, feminist folk horror that favours atmosphere over jump scares.