
In the heart of Buenos Aires, two bank clerks, Morán (Daniel Elías) and Román (Esteban Bigliardi), live a gray, mind-numbingly routine existence—that is, until one of them commits a crime that upends both their lives. After calculating the total amount they would earn from their salaries until retirement, Morán steals this exact sum from their bank branch, entrusts the money to Román, and then turns himself in. Little do they know just how far the consequences of this crime will take them. Indeed, in the hands of Argentine director Rodrigo Moreno, this low-key heist is merely the starting point for an infinity of fictional possibilities. Recalling Mariano Llinás’ La Flor (VIFF 2018) in its reflexive storytelling and narrative riffing, The Delinquents is an invigorating genre deconstruction. An unquestionable highlight of this year’s Cannes, the film meanders freely along its languorous three-hour runtime, finding fulsome pleasures in the most unlikely of places. Precisely composed and endlessly inventive, this is a film whose rhythms are anything but routine.
Supported by
Community Partner
Daniel Elias, Esteban Bigliardi, Margarita Molfino
Argentina
2023
Showcase
In Spanish with English subtitles
Violence, Sexual Violence
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Ezequiel Borovinsky, Ezequiel Capaldo, Eugenia Molina, Rodrigo Moreno, Gilles Chanial, Julia Alves, Michael Wahrmann, Bruno Betatti, Hernán Musaluppi, Daniel Lambrisca
Producer
Ezequiel Borovinsky
Screenwriter
Rodrigo Moreno
Cinematography
Alejo Maglio, Ines Duacastella
Editor
Manuel Ferrari, Nicolás Goldbart, Rodrigo Moreno
Art Director
Gonzalo Delgado, Laura Caligiuri
Director

Rodrigo Moreno
Rodrigo Moreno is an Argentine filmmaker born and based in Buenos Aires. His films were awarded and exhibited in several film festivals like Berlinale, Donostia/San Sebastian, Toronto, Sundance, Rotterdam, Viennale, New Directors / New Films, London, among many others. His work was also exhibited at MoMA, Guggenheim Museum, Anthology Film Archives and Lincoln Center (USA), Centre Pompidou (France) and Haus der Kulturen der Welt (Germany). His film El Custodio won the Alfred Bauer Preis in Berlinale and best Latin American script in Sundance among many others awards. His following film A Mysterious World was also invited to the official competition in Berlinale. He teaches Film Direction at the Universidad del Cine de Buenos Aires.
Filmography: Bad Times (1998); El Custodio (2006); A Mysterious World (2011); Reimon (2014); A Provincial City (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
Samia
Despite growing up in Mogadishu, Somalia, during the civil war, Samia Yusuf Omar persists in her dream of becoming an Olympic athlete and competes in Beijing, 2008 -- with London, 2012 next on her agenda. Based on a true story.
Sudan, Remember Us
A portrait of young artists and activists, Meddeb's doc charts events in Khartoum between 2019 -- in the immediate wake of the revolution that deposed dictator Omar al-Bashir -- and the mood four years later, when the country has been torn apart by civil war.
Margaret
Seventeen-year-old Lisa is rocked with guilt after a woman is killed in a traffic accident. But that’s only one thread in a teeming social tapestry this intense, passionate teen must negotiate as she comes of age in a time of contradiction and confusion.
E.1027 Eileen Gray and the House by the Sea
In this elegant non fiction film, actors play Irish designer Eileen Gray, her lover, the architect Jean Badovici, and modernist superstar Le Corbusier, who would become obsessed with the house on the Cote d'Azur that Eileen designed.
Scarecrow
A bittersweet, touching buddy movie with Gene Hackman as a volatile tramp, Max, and Al Pacino as "Lion", a drifter now set on returning to the wife and kid he abandoned years ago. Hackman's favourite of his own movies.