Skip to main content
The Mother of All Lies film image

The Mother of All Lies

This event has passed

This fascinating non-fiction film — winner of the Best Director prize in the Un Certain Regard section at Cannes — unearths powerful revelations after decades of silence, denial and deceit. As her parents and her formidable grandmother prepare to leave the Casablanca home they have lived in for decades, filmmaker Asmae El Moudir takes the opportunity to probe the past. She’s never understood why her mother only has one photograph of her daughter, for instance; in fact she’s not even convinced the girl in the photo is really her. Constructing a scaled reproduction of the street she remembers from her childhood in a film studio with the help of her father (a builder), El Moudir interrogates family and neighbours not only about the mysterious gaps in her own story, but the gaping silence around the 1981 Bread Riot massacre in which hundreds of civilians were killed — including Fatima, a child much like Asmae, who lived on the same block.

 

Best Director, Un Certain Regard; Golden Eye Best Documentary Award, Cannes 2023

 

A sly, often playful but ultimately moving study of community, generational anguish and atrocities covered up by the state that blends documentary technique with originality and polished storytelling skill.
Leslie Felperin, The Hollywood Reporter

 

Community Partner

Director
Credits
Country of Origin

Morocco/Qatar/Saudi Arabia/Egypt

Year

2023

Series

Spectrum

Language

In Moroccan Arabic with English subtitles

Film Contact
18+
96 min
Award Winners Documentary Women Directors

Book Tickets

This event has passed.

Credits

Producer

Asmae El Moudir

Screenwriter

Asmae El Moudir

Cinematography

Hatem Nechi

Editor

Asmae El Moudir

Production Design

Mohamed El Moudir

Original Music

Nass El Ghiwane

Director

Asmae El Moudir headshot

Asmae El Moudir

Asmae El Moudir (born in 1990 in Salé) is a Moroccan film director, screenwriter and producer. Asmae has directed documentaries for SNRT, Al Jazeera Documentary, BBC and Al Araby TV. After making a number of short films, Asmae completed the mid-length documentary The Postcard in 2020. The Mother of all Lies is her first feature film.

Missing VIFF? Check out what's playing at the VIFF Centre

Revolutionaries Never Die
Revolutionaries Never Die film image; person walking through collapsed building

Revolutionaries Never Die

Dir. Mohanad Yaqubi
81 min

Revolutionaries Never Die is Mohanad Yaqubi’s reply to Jocelyne Saab, who passed away before the two could collaborate. Yaqubi's film serves as equal parts tribute, conversation, and partnership with the revolutionary past.

SFU Woodwards
Ugly Cry
Ugly Cry film image; reflection in a rear-view mirror of a woman sobbing

Ugly Cry

Dir. Emily Robinson
94 min

When her ugly cry costs an aspiring actor her dream role, she takes desperate measures in pursuit of perfection. A cheeky injection of dark humour and delirium, this genre-bending psychological thriller takes a clever jab at internet-age beauty standards.

The Rio Theatre International Village 9
Mouse
Mouse film image; two people sitting on a beach

Mouse

Dir. Kelly O’Sullivan, Alex Thompson
120 min

Fans of Lady Bird, meet Mouse. This intimate, grounded drama by Kelly O’Sullivan and Alex Thompson (Saint Frances) sees a shy teen form a complicated bond with her best friend’s mom after tragedy strikes in the summer before her senior year.

Image: © Nate Hurtsellers and Luke Dyra

International Village 9
Close-Up
Close-Up film image; two people riding a motorcycle down the street

Close-Up

Dir. Abbas Kiarostami
98 min

Kiarostami’s Close-Up blurs documentary and fiction through the story of Hossein Sabzian, who impersonates filmmaker Mohsen Makhmalbaf. The film questions what “real” means on screen while creating an undeniable feeling of realism.

The Cinematheque

First Comes Love: Nakabingwit

Dir. Joella Cabalu
65 min

An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.

Alliance Francaise
Death Has No Master
Death Has No Master film image; woman standing under a tree

Death Has No Master

Dir. Jorge Thielen Armand
106 min

When Caro returns to Venezuela to sell her late father’s cacao plantation, she finds the family mansion occupied by its former staff, who have no intention of leaving. After legal action proves ineffectual, Caro decides to dispense justice herself.

International Village 10