This fascinating non-fiction film — winner of the Best Director prize in the Un Certain Regard section at Cannes — unearths powerful revelations after decades of silence, denial and deceit. As her parents and her formidable grandmother prepare to leave the Casablanca home they have lived in for decades, filmmaker Asmae El Moudir takes the opportunity to probe the past. She’s never understood why her mother only has one photograph of her daughter, for instance; in fact she’s not even convinced the girl in the photo is really her. Constructing a scaled reproduction of the street she remembers from her childhood in a film studio with the help of her father (a builder), El Moudir interrogates family and neighbours not only about the mysterious gaps in her own story, but the gaping silence around the 1981 Bread Riot massacre in which hundreds of civilians were killed — including Fatima, a child much like Asmae, who lived on the same block.
Best Director, Un Certain Regard; Golden Eye Best Documentary Award, Cannes 2023
A sly, often playful but ultimately moving study of community, generational anguish and atrocities covered up by the state that blends documentary technique with originality and polished storytelling skill.
Leslie Felperin, The Hollywood Reporter
Community Partner
Morocco/Qatar/Saudi Arabia/Egypt
2023
Spectrum
In Moroccan Arabic with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Asmae El Moudir
Screenwriter
Asmae El Moudir
Cinematography
Hatem Nechi
Editor
Asmae El Moudir
Production Design
Mohamed El Moudir
Original Music
Nass El Ghiwane
Director
Asmae El Moudir
Asmae El Moudir (born in 1990 in Salé) is a Moroccan film director, screenwriter and producer. Asmae has directed documentaries for SNRT, Al Jazeera Documentary, BBC and Al Araby TV. After making a number of short films, Asmae completed the mid-length documentary The Postcard in 2020. The Mother of all Lies is her first feature film.
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.