This fascinating non-fiction film — winner of the Best Director prize in the Un Certain Regard section at Cannes — unearths powerful revelations after decades of silence, denial and deceit. As her parents and her formidable grandmother prepare to leave the Casablanca home they have lived in for decades, filmmaker Asmae El Moudir takes the opportunity to probe the past. She’s never understood why her mother only has one photograph of her daughter, for instance; in fact she’s not even convinced the girl in the photo is really her. Constructing a scaled reproduction of the street she remembers from her childhood in a film studio with the help of her father (a builder), El Moudir interrogates family and neighbours not only about the mysterious gaps in her own story, but the gaping silence around the 1981 Bread Riot massacre in which hundreds of civilians were killed — including Fatima, a child much like Asmae, who lived on the same block.
Best Director, Un Certain Regard; Golden Eye Best Documentary Award, Cannes 2023
A sly, often playful but ultimately moving study of community, generational anguish and atrocities covered up by the state that blends documentary technique with originality and polished storytelling skill.
Leslie Felperin, The Hollywood Reporter
Community Partner
Morocco/Qatar/Saudi Arabia/Egypt
2023
Spectrum
In Moroccan Arabic with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Asmae El Moudir
Screenwriter
Asmae El Moudir
Cinematography
Hatem Nechi
Editor
Asmae El Moudir
Production Design
Mohamed El Moudir
Original Music
Nass El Ghiwane
Director
Asmae El Moudir
Asmae El Moudir (born in 1990 in Salé) is a Moroccan film director, screenwriter and producer. Asmae has directed documentaries for SNRT, Al Jazeera Documentary, BBC and Al Araby TV. After making a number of short films, Asmae completed the mid-length documentary The Postcard in 2020. The Mother of all Lies is her first feature film.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
