The local pub is virtually the last community gathering place in an impoverished town in the north of England, one of those places that never recovered from the demise of the mining industry. Here, TJ (Dave Turner) is hanging on by a thread. When an influx of Syrian refugees stokes xenophobic backlash, he’s ready to step up and help the newcomers as best he can — to the disgust of some of his regulars. The word “Brexit” is never spoken in this very moving melodrama from Ken Loach and his regular screenwriter Paul Laverty (I Am Daniel Blake; Sorry We Missed You), yet the film is set in 2016 and it’s an attempt to wrestle with the implications of that referendum, a low point in the history of British socialism. The overt racism the refugees encounter is shocking, but its been seeded by decades of poverty and neglect, and Loach finds embers of hope in acts of courage, kindness and solidarity. It’s a plain and honest account of a time of discord and division.
Media Partner
Dave Turner, Ebla Mari, Claire Rodgerson
UK
2023
Special Presentations
English
Depictions of Racism, Coarse Language
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Pacal Caucheteux, Grégoire Sorlat, Vincent Maraval
Producer
Rebecca O’Brien
Screenwriter
Paul Laverty
Cinematography
Robbie Ryan
Editor
Johnathan Morris
Production Design
Fergus Clegg
Original Music
George Fenton
Director
Ken Loach
Ken Loach was born in 1936 in Nuneaton. He attended King Edward VI Grammar School and went on to study law at St. Peter’s Hall, Oxford. After a brief spell in the theatre, Loach was recruited by the BBC in 1963 as a television director. This launched a long career directing films for television and the cinema, from Cathy Come Home and Kes in the 1960s to The Wind that Shakes the Barley (Palme d’Or, Cannes Film Festival 2006), and I, Daniel Blake (Palme d’Or, Cannes Film Festival 2016).
Filmography: Kes (1969); Raining Stone (1993); The Wind That Shakes the Barley (2006); I, Daniel Blake (2016); Sorry We Missed You (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
That They May Face the Rising Sun
John and Kate have moved from London to a farm in Ireland, to the bemusement of the locals. This lyrical Irish reverie taps deep wells of feeling in the stuff of everyday life.
Secret Mall Apartment
The stranger-than-fiction true story of a group of artists who built and furnished a hidden apartment inside a mall, remaining undetected for years. This is an absurdly fun and surprisingly profound film about gentrification and art.
The Encampments
When pro-Palestine protests took hold of Columbia last year, the filmmakers were there from the beginning. This documentary charts the mounting tensions between students and the administration, as the protests were picked up across North America.
The Teacher
In this potent thriller, English teacher Basem witnesses the murder of a teenager by a Israeli settler. While the subsequent investigation rolls slowly towards a foregone conclusion, the teacher is caught up in a parallel kidnapping case...
Bob Trevino Likes It
When her toxic, narcissistic dad cuts her out of his life, Lily Trevino looks him up on Facebook and happens across his namesake, Bob (John Leguizamo), a gentle, genial contractor who lives nearby, and who proves an altogether better dad...
A Duke Ellington Tribute with the Mike Braverman Sextet
After a scintillating session of Duke standards performed by The Mike Braverman Sextet, enjoy a roundup of Ellingtonia on Film: his first short sound films from the late 20s and 30s, and clips from the scores he composed in the 50s and 60s.