Hanna (Julia Garner) is backpacking across Australia with her best friend Liv (Jessica Henwick). Running low on funds, they decide that a job tending bar in an Outback mining town might be a lark — the job comes with free lodging, after all, and not a little booze. The owner, Billy (Hugo Weaving) does his best to keep the rowdy regulars in order, but then again he’s always drunk himself. Beer culture in a place like this is always going to be a wild ride, but the young women have no idea just how quickly the bottom can drop out of their world. This deeply unsettling film is inspired by a true story — or, more accurately, many true stories. Director and co-writer Kitty Green comes from a documentary background and just as she did with her acclaimed 2019 #MeToo drama The Assistant (also with Julia Garner), Green exactingly grounds the material in the real world. But that’s not to say this cautionary tale is anything less than gripping. Expect a vertiginous decline in Australian tourism.
A masterfully constructed pressure cooker about the perils of being a woman… Few movies have ever so palpably or intricately conveyed the violent pall of male attention.
David Ehrlich, Indiewire
Jessica Henwick, Julia Garner, Hugo Weaving, Bree Bain, Toby Wallace
Australia/UK
2023
Showcase
English
Sexual Violence
At The Park
At The Rio
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Simon Gillis
Producer
Emile Sherman, Liz Watts, Iain Canning, Kath Shelper
Screenwriter
Kitty Green, Oscar Redding
Cinematography
Michael Latham
Editor
Kasra Rassoulzadegan
Production Design
Leah Popple
Original Music
Jed Palmer
Director
Kitty Green
Kitty Green was born in Melbourne. Her works include the documentaries Ukraine is Not a Brothel (2013) and Casting JonBenet (2017), as well as the narrative feature The Assistant (2019).
Filmography: Ukraine is Not a Brothel (2013); Casting JonBenet (2017); The Assistant (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
A Cree Approach
Tristin Greyeyes embarks on a deeply personal journey to understand why Cree was not her first language, unraveling the story of her late grandmother, Freda Ahenakew. An intimate tribute and a call to action for the reclamation of language and identity.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Three Colours: Blue
The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.