Hanna (Julia Garner) is backpacking across Australia with her best friend Liv (Jessica Henwick). Running low on funds, they decide that a job tending bar in an Outback mining town might be a lark — the job comes with free lodging, after all, and not a little booze. The owner, Billy (Hugo Weaving) does his best to keep the rowdy regulars in order, but then again he’s always drunk himself. Beer culture in a place like this is always going to be a wild ride, but the young women have no idea just how quickly the bottom can drop out of their world. This deeply unsettling film is inspired by a true story — or, more accurately, many true stories. Director and co-writer Kitty Green comes from a documentary background and just as she did with her acclaimed 2019 #MeToo drama The Assistant (also with Julia Garner), Green exactingly grounds the material in the real world. But that’s not to say this cautionary tale is anything less than gripping. Expect a vertiginous decline in Australian tourism.
A masterfully constructed pressure cooker about the perils of being a woman… Few movies have ever so palpably or intricately conveyed the violent pall of male attention.
David Ehrlich, Indiewire
Jessica Henwick, Julia Garner, Hugo Weaving, Bree Bain, Toby Wallace
Australia/UK
2023
Showcase
English
Sexual Violence
At The Park
At The Rio
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Simon Gillis
Producer
Emile Sherman, Liz Watts, Iain Canning, Kath Shelper
Screenwriter
Kitty Green, Oscar Redding
Cinematography
Michael Latham
Editor
Kasra Rassoulzadegan
Production Design
Leah Popple
Original Music
Jed Palmer
Director
Kitty Green
Kitty Green was born in Melbourne. Her works include the documentaries Ukraine is Not a Brothel (2013) and Casting JonBenet (2017), as well as the narrative feature The Assistant (2019).
Filmography: Ukraine is Not a Brothel (2013); Casting JonBenet (2017); The Assistant (2019)
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.