North American Premiere
Unfolding like a nocturnal film poem, The Sea and Its Waves follows a brother and sister as they make their way through an almost vacant Beirut, biding time until they can catch a boat out of the country to reunite with the brother’s bride waiting for them in Norway. Over the course of the night, they encounter a series of mysterious locals roaming the streets, each revealing a slice of cultural context that speaks to the greater socioeconomic malaise. Yet the cryptic exchanges are infused with a lyrical cadence that seduces with its prophetic allure. Liana & Renaud’s atmospheric feature debut is a loving ode to Beirut, adopting the language of transcendental cinema to capture a sense of deep collective wounding. Bathed in moonlight and flickering city lights, it is a visually arresting piece that weaves thoughtfully composed observational sequences with pointed surrealist touches and unexpected musical flourishes echoing haunting regional melodies.
Presented by
Roger Assaf, Hanane Hajj-Ali, Mays Mustafa, Mohammed Ammari, Sasseen Kawzali
Lebanon/France
2023
Vanguard
In Arabic with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Producer
Mathieu Mullier-Griffiths, Alexandre Singer
Screenwriter
Liana Kassir, Renaud Pachot
Cinematography
Mark Khalife
Editor
Chaghig Arzoumanian
Original Music
Zeid Hamdan, Mohamed Al Ammari
Art Director
Cynthia Tannous
Directors
Liana Kassir & Renaud Pachot
Liana Kassir grew up in Beirut, Renaud Pachot in the French countryside. Raised in the early years of 2000 by the films of their respective video clubs, they met in Paris in 2007. At the end of their studies, they bought an Aaton Super 16mm camera and settled in Beirut. The Sea and Its Waves is their first dramatic feature film.
Missing VIFF? Check out what's playing at the VIFF Centre
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Nouvelle Vague
Linklater's love letter to Paris, 1959, and the difficult birth of Jean-Luc Godard's first feature, Breathless, channels the auteur's blithe self confidence and an era of all-encompassing cinephilia. It's the next best thing to being there.